Wim Wenders’ visual diary of instant snapshots from the 1960s – 1980s offers a glimpse into life on set that predates social media.

I Was Raised on the Internet looks at a specific moment in time to explore the rapid cultural shifts the world has experienced since the millennium.

Identities overlap and intersect: no one is defined solely by their race, gender, class or nationality, but rather by a combination of complex factors. This…

Photography exhibitions opening at the start of June offer encounters with the natural environment, testing the limits of representation.

Celebrating 100 years since the birth of Irving Penn, an extensive retrospective of the photographer’s portfolio is presented at C/O Berlin.

In a fast-developing visual and digital world, graduates offer unique, forward-thinking perspectives on a globalised landscape.

The first UK solo exhibition of German photographer, Olaf Otto Becker, opens at Huxley-Parlour Gallery, London. 

Openstudio Architects’ Swartberg House is the subject of a five-channel video installation at La Biennale di Venezia.

Art Basel’s photography selection includes key voices, raising awareness of ongoing social, political and ecological questions.

Photographer Jean Molitor has been tracking the legacy of Bauhaus since 2009, capturing the movement’s bold aesthetic.

Exploring the timely boundary between truth and fiction, Thomas Wrede’s works offer a surreal reflection on the fidelity of photography.

Sabine Weiss and Fred Herzog articulate the post-war urban landscape through a bold use of contrast, holding up a mirror to society.

Fjordenhus, the first building realised by Olafur Eliasson and his architectural team, builds on a socially and conceptually responsive practice.

Mary Mattingly looks into the wider effects of mining and chemical cultivation, investigating supply chains through a critical approach.

Combining strong geometric patterns, clean lines and bold colours, Leonardo Pucci’s body of work, documents the urban landscape.

During travels throughout Europe, the US, Asia and North Africa, Otto Reitsperger captured the sea illuminated only by moonlight.

Chris Dorley-Brown’s hyperreal works capture the breadth of contemporary experience, documenting street corners in East London.

2018’s first Magnum Square Print Sale explores the theme of Freedom, investigating its definition and legacy through influential photographers.

Museum of London brings together portraiture, documentary, conceptual photography and film to draw a striking portrait of the nocturnal city.

Having worked as a freelance illustrator for years, Recchia now focuses on the banality of everyday life, looking at the forms of the urban environment. 

Emily Shur’s Super Extra Natural!, documents the American photographer’s time in Japan, offering personal reflections on a unique landscape.

Mark Ruwedel’s work demonstrates how geological, historical and political events have shaped the natural landscape.

This month’s publications offer surveys across a range of industries, from the changing face of architecture to fine art photography and installation.

Cindy Sherman is one of the most influential figures in contemporary art. A new body of work is inspired by 1920s Hollywood cinema.

How can photography make sense of the world? Shows running 2-3 June demonstrate the ways practitioners are engaging with timely ideas.

Fashion photographer Gösta Peterson combined styled compositions with spontaneity, foregrounding the individuality of each subject.

Landscapes After Ruskin at Grey Art Gallery, New York, explores how practitioners are making sense of the changing environment.

The June / July edition of Aesthetica is available now. Issue 83, A New Way of Seeing, considers the intersection between the created and the real.

Erica Nyholm’s body of work explores familial relationships, reflecting on defining moments from a female perspective.

Between Art & Fashion: Photographs from the Collection of Carla Sozzani offers dialogues about the authenticity and autonomy of images.

Technological advances have altered our conception of space. James Turrell questions notions of materiality and physical location.

For Joachim Hildebrand’s latest series, he travelled through the seven states of the American southwest – a visual journey through myth and reality.

Marking a departure from self representation, new works by Elina Brotherus offer a playful, performative approach inspired by Fluxus.

Works by Erwin Olaf address social issues, taboos and conventions through a highly curated approach, offering stylised visuals.

Victor Micoud’s La Cité Idéale focuses on the surroundings of Disneyland Paris, capturing the essence of this surreal neighbourhood.

Translating personal experiences into hyperreal images, the renowned photographer Alex Prager is celebrated through a mid-career survey.

Using repeated patterns including colour, material and texture, Jon Setter organises details of landscapes as an abstracted expression of space.

Carolina Mizrahi is an art director, photographer and set designer whose cross-disciplinary practice traverses a line between fine art and commerce.

Melancholy and, at times, tied to a Romantic sensibility, Isabella Ståhl’s images communicate the desire to return to the notion of home.

A vision of the future, Evelyn Bencicova’s series Artificial Tears assesses what it means to exist within today’s increasingly factitious world.

Michelle Cho & June Kim’s collaborative series look into the ideas of relativity in the everyday, inspired by vivid and structurally expansive architecture.

Ole Marius Joergensen creates narratives around the themes of identity, using empty topographies as spectres of unidentifiable emotions.

Accessibility, sustainability and humanity take centre stage at Venice Biennale, pushing the literal and figurative boundaries of space.

Interactive garments transform our relationship with fashion and the environment as sustainability is linked with the individual experience.

Elena Mora offers an intriguing perspective on how set design can create an interdisciplinary stage for idea creation and collective aspiration.

Inge Morath traversed the globe as a travel, portrait and reportage photographer, joining Magnum Photos in 1956.

Anarchitect, a retrospective of Gordon Matta-Clark’s short but incendiary career, is currently on show at Jeu de Paume, Paris.

Photographs by Joachim Hildebrand, who is part of the 2018 Aesthetica Art Prize, investigate notions of the American dream.

The 21st Biennale of Sydney engages with communities around the globe, addressing timely themes of relocation and globalisation.

Mária Švarbová’s series, Swimming Pool, goes on display as part of this year’s edition of PHotoEspaña, Madrid.