Rubber
Rubber is surreal and bizarre, but just when connections are made, Dupieux cleverly reminds you that there is no reason, and after all you are watching a film about a killer tyre.
Rubber is surreal and bizarre, but just when connections are made, Dupieux cleverly reminds you that there is no reason, and after all you are watching a film about a killer tyre.
The Arbor tells the powerful true story of Bradford playwright Andrea Dunbar and her daughter Lorraine.
Archipelago comments on the dynamic and often complex relationships between family members and wonderfully exposes moments of inner-awkwardness.
City Island is a touching and funny tale set in a quaint fishing village unexpectedly located in the midst of the Bronx.
Review by Alistair Quietsch Seeped in conceptual layering and research, Jeremy Millar’s current show at the CCA is at times, a seemingly disparate show of…
The UK Film industry has taken a few major blows recently. In the face of this, British films are being picked up by overseas film festivals: next stop, Tribeca.
Across the Atlantic there’s a strong tradition of road trip films, the bulk of the action based in or around the car and the endless dusty highway ahead.
The last Achilifunk album marked the start of something big on the rumba scene and focused attention on the culture and history of the genre.
Born out of Marsh’s struggles with substance abuse, heartbreak and the deaths of several friends, it’s reflective, but ultimately affirming material.
Creep On Creepin’ On is a deeply provocative and alternative slant to blues, which would be appropriate in a hidden downtown bar.
The diversity of this album is astounding, some tracks will have you swooning, while others pass on by, however the ones that stand out pull the whole album together.
If this second album from Vessels overwhelms, it’s more for the test of aural endurance it poses than for being truly groundbreaking.
Mind Bokeh is Bibio’s most accomplished album to date, blending a soulful and vivid assortment of tracks and creating a dappled, uplifting arrangement.
Esben and the Witch’s uncompromising sound is being heard not only in back rooms and dimly lit bars, but it is also making its way into our musical landscape.
Synthesisers are complex and difficult instruments, but in musical circles, they’re considered some of the most beautiful. Here’s what it takes to build a behemoth.
Battersea Arts Centre brings people closer to theatre with the One-on-One Festival, exploring the relationships between audience and performer.
American artist, Romare Bearden’s (b.1911) practice is complex and wide reaching. This exhibition at Michael Rosenfeld Gallery is the first to focus exclusively on collage…
Review by Colin Herd To accommodate Recent History, the Tate St Ives has reversed the sequence of galleries, so the show begins in Gallery 5…
Review by Ruaidhri Ryan “I’m not a film purist, for me it is about my own enjoyment; I really don’t feel part of a debate…
Review by Charles Danby The Jerwood Encounters series was launched in 2008 to investigate the margins of the primary fields of the Jerwood visual arts…
A disused terraced house in Bensham, Tyneside, which is scheduled for demolition, is to briefly enjoy a radical new life – as a contemporary art…
Review by Colin Herd In a tiny photograph of a domestic interior, the doors of an ornate wooden cabinet gape open. In the lower half…
Review by Emma Cummins In November 2010, the graduating students of the MA Curating Contemporary Art course at the Royal College of Art, invited the…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London The Embankment Galleries at…
Review by Paul Hardman Right from the first moment of entering this exhibition at the Serpentine, Spero’s art makes an assertive and powerful impression. Immediately…
The collaboration between Bernard Herrmann and Alfred Hitchcock is one of the most famous, tempestuous and productive creative relationships in Hollywood to date. To coincide…
European cinema occupies a special place in the heart of the cinema-going public: a Danish film, In a Better World, picked up the Best Foreign…
Preview by Rym Kechacha Born just outside Granada in the heart of Andalucía, the influential Spanish writer Federico Garcia Lorca was highly influenced by the…
Review by Tiffany Jow Comprised of items from Sharon Kivland’s personal archive of French magazines, postcards, advertising leaflets and objects from a variety of time…
Review by Alistair Quietsch The latest show at the St Mungo’s Museum of Religious Life, Stardust – Some Thoughts on Death by Gillian Steel, is…
Review by Tiffany Jow, a candidate for the MA in Art History at Richmond the American International University in London. These days, it’s trendy to…
Review by Jareh Das London artist Ed Atkins films exist in what can only be described as an experiential filmic environment. Atkins often displays; film…
Review by Nathan Breeze The Royal Academy of Arts was founded in 1768 with the aim to promote the ‘Arts of Design’ element in Painting…
Review by Paul Hardman The fun of visiting Wet Sounds at York Hall Pool in Bethnal Green actually began long before arriving. Explaining to friends…
Interview by Bethany Rex Wimbledon Art Studios is the largest, single site art studio complex in the UK; we caught up with their Artistic Coordinator…
Review by Regina Papachlimitzou If Destroyed Still True is the culmination of two years work by performance company Sedated by a Brick. Performed in the…
Martin Creed: Thinking / Not Thinking (Work #1090) from Martin Creed on Vimeo. Review by Kathryn Evans Last week Martin Creed and his band showcased…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. Aidan McNeill’s first solo…
Review by Carla MacKinnon New York based artist Dustin Yellin creates his unique work by layering 2D images between sheets of glass to create extraordinary…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. “This is our romance,” state…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. Louise Bourgeois and Tracey…
Review by Regina Papachlimitzou Cosima von Bonin’s exhibition Bone Idle is permeated by contradiction. Her work, aiming to explore notions of sloth and fatigue, comprises…
Harper Lee’s To Kill A Mockingbird (1960) is one of the most widely discussed novels; dealing with racial inequality, violence and rape, it summarises a…
Review by Paul Hardman Walking first up stairs into the dark, then along a black felt lined corridor, around a corner and finally into an…
Review by Colin Herd Jean-Marc Bustamante, who represented France at the Venice Biennale in 2003, began his career as an assistant to the renowned fashion…
Examining the world in a state of flux, Russian artist, Anna Parkina, uses collage to critique current social, political and economic trends.
Review by Kenn Taylor Born in Zambia, Carey Young (b. 1970) grew up and studied in Manchester. She now works internationally utilising a variety of…
Review by Jaga N.A. Argentum In his first solo exhibition, Dick Flash’s Souvenirs of Thought, Zhivago Duncan invites us to accompany him and his protagonist…
Review by Liz Lau The title of the show Ordinary Time is a reference to where the date of the exhibition falls on the liturgical…
Review by Alistair Quietsch Dirk Bell’s work is a diverse mix of masterly observed drawings, minimalist sculpture and an artistic play with technology. Upon entering…
