The Arts Council Collection sheds new light on the rich and diverse nature of 1960s art, casting fresh perspectives over the creations of the period.

An exhibition at Mudam Luxembourg testifies to the diversity and compositional flair of Cragg’s oeuvre, showing a selection of work from over the past two decades.

A’ Design Competition was established to recognise the best design works internationally. Entries are open until 28 February.

Photography, objects and antiques come together for the National Gallery of Victoria’s encyclopaedic display Patrick Pound: The Great Exhibition.

Gabriella Kosa explores the relationship between mankind and nature. Within her works, the small squares and geometric forms represent desire for control.

A focus on the hidden dimensions of metropolitan life characterises Brian Pearson’s new photographic series at Robin Rice Gallery, New York.

Ruya Foundation’s exhibition at the 57th Venice Biennale displays the work of contemporary Iraqi artists in dialogue with ancient artefacts.

For his first solo show since 2010, and the first in the new space at Sean Kelly Gallery, New York, James Casebere returns to exploring interior spaces.

A lyrical witticism lies at the heart of Lenny Cornforth’s paintings; her pieces rely on the gentle rhythm of instinctive colour decisions and an attention to form.

A major group exhibition of contemporary women artists responds to The Fine Art Society’s, London, showcase of the radical and androgynous artist Gluck.

The Abstract Expressionism show at the Guggenheim Museum Bilbao is fresh from a groundbreaking run at London’s Royal Academy of Arts.

The Fine Art Society, London, hosts a major retrospective of the British painter Gluck, shedding light on one of the most significant artists of the 20th century.

The National Gallery of Victoria, Melbourne, has launched a new international publishing prize as part of the annual Art Book Fair.

Dylan Fox’s practice explores the physical, medical, emotional and social elements of gender transition, specifically designing works to replicate feelings of frustration.

For Watched! – Surveillance Art and Photography, C/O Berlin and the Deutsche Börse Photography Foundation address the culture of surveillance.

Hull UK City of Culture 2017 recently launched, kick-starting a 365 day programme of cultural events and creativity inspired by the area.

An award-winning artist based in New Zealand, Shirley Cresswell has developed an attention to light, resulting in three-dimensional compositions.

Jeu de Paume joins forces with the Centre Pompidou for a retrospective of Eli Lotar, which draws upon the Centre’s photographic archives.

The A’ Design Award was founded in 2010 in order to highlight, advertise and become an advocate for design that looks towards a better future.

Mahmoud Bakhshi centres on the infamous Cinema Rex fire in Abadan, South Iran, as the focus of a new immersive installation.

The Van Nelle Fabriek factory will play host to the eighteenth edition of Art Rotterdam, returning this February for a celebration of the industry.

For taxidermist and jeweller, Julia deVille, the most considered aspect of creation is finding a balance between pathos, humour and dignified realism.

The Deutsche Börse Photography Foundation Prize touring details have been announced for 2017, starting at The Photographers’ Gallery, London.

Nathan Coley explores the ways that architecture reflects on and conditions the social environment at Parafin Gallery, London.

Thomas Dane gallery, London, hosts Kasten’s first solo, UK-based exhibition, introducing the medium of moving image for the first time.

In a world dominated by digital technologies, the authenticity of Jeff Cowen’s (b.1966) work has a distinctive appeal.

Yorkshire Sculpture Park, Wakefield, questions what we know and understand about architecture in the group exhibition [Re]construct.

Through film and sculpture, with a particular emphasis on sound, Oliver Beer considers the physical properties and emotional values of objects.

The immersive installation from Sophia Al Maria, EVERYTHING MUST GO, captures the chaotic, almost apocalyptic nature of consumerism.

Brooke DiDonato pairs human experiences with uncanny visual elements and invites the subconscious into a playground of domestic settings.

Wayne McGregor, Olafur Eliasson and Jamie xx transform Jonathan Safran Foer’s book into an event that transcends individual disciplines.

J Bennett Fitts’ images display contrasts between urbanity and nature; saturated blues are placed against the muted palettes of utopian structures.

Ricardo Bofill’s La Muralla Roja in Alicante pays homage to the Arab Mediterranean, in particular to the adobe towers of North Africa.

Innovative photographic duo JUCO’s material provides an explosion of energy and blurs the lines between fine art and commercial assignments.

Reginald Van de Velde’s photographs provide an oasis for reflection on the passage of time, offering a new perspective on abandoned settings.

A new publication from Phaidon highlights the shifting relationship between architecture and natural forms, taking the land as inspiration.

In Anna Di Prospero’s Urban self-portrait series angles of contemporary cities reach an intriguing equilibrium with expressive bodily contortions.

Aaron Feaver’s infectious oeuvre snapshots youth with optimism and compositional air. Bold, indulgent palettes reflect the lifestyles within the frames.

In the hidden depths of Australia’s most extraordinary museum, United Visual Artists uncover the lineage of creative expression.

Three major international fairs not only showcase new innovations in design but demonstrate the changing dynamic of art and commerce.

From established to couture brands, Scandinavian designers are gearing traditional ideas of timelessness and practicality towards sustainability.

Strata – the title of Amie Siegel’s newest exhibition at South London Gallery – denotes a series of layers which are embedded within moving-images.

Serpentine Gallery, London, charts the career and legacy of John Latham, a figure regarded as a pioneer of British conceptual art.

An investigation into the relationship between narrative and imagery characterises the work of American artist Lisa Oppenheim.

On the occasion of Arte Fiera, MAST Foundation opens Work in Motion: The Video Camera’s Eye on Social and Economic Behaviour.

Two newly commissioned pieces by Patrick Hough and Lawrence Lek are premiered as part of the Jerwood/FVU Awards 2017.

Perception, movement and the relationship between the viewer and their surroundings are central themes within Olafur Eliasson’s practice.

Poetry Winner Ian M Dudley’s sequence, entitled Business Class, explores the notion of work in a large multinational company.

Lauren Marsolier’s images alleviate the world of specific details and are displayed at PHOTOFAIRS San Francisco, courtesy of Robert Koch Gallery.

John Akomfrah OBE has been awarded £40,000 courtesy of Artes Mundi for the 2016 film Auto Da Fé, chosen from six socially responsive works.