Alongside the inspiring discussions and the chance to network with those shaping today’s art world, is that it takes place in the beautiful and historic city of York.

Curator Philipp Kaiser transforms the Pavilion of Switzerland into an exhibition titled, Women of Venice, featuring Carol Bove and Hubbard / Birchler.

For his new show at Koenig Galerie, St. Agnes, Anselm Reyle has conceived a spacial installation complete with three geometric, kinetic sculptures.

An-My Lê captures current concerns around war and immigration whilst alluding to the past; The Silent General references Walt Whitman’s Specimen.

Cindy Sherman: Once Upon a Time, 1981 – 2011 at Mnuchin Gallery, New York, features more than two dozen works spanning the breadth of 30 years.

Cities have become a malleable arena for artists; Jasmina Cibic’s Tear Down and Rebuild was shot in the former Palace of the Federation in Belgrade.

Richard Mosse’s Heat Maps has won the Prix Pictet 2017. The accolade was awarded by Prix Pictet Honorary President, Kofi Annan, at the V&A.

As part of the 2017 Photo London Commissions, William Klein has been asked to develop a new 18-metre mural for the space.

Art can connect people from a variety of cultures, backgrounds and socio-economic situations. This is called upon as one of the topics at Future Now 2017.

Now in its third year, Photo London has become a powerhouse for international galleries to showcase the revolution of an ever-expanding medium.

Ahead of a panel on the future of photography at the upcoming Symposium, Thomas Dukes expands on the concept of visual arts in the digital landscape.

From 24 July Bruce Nauman becomes the next focus of the ARTIST ROOMS at Tate Modern utilising light and language to alter spatial perception.

Toby Dye’s The Corridor is a love letter to the work of Stanley Kubrick. The video installation has been shortlisted for the 2017 Aesthetica Art Prize.

Robert Rauschenberg: Among Friends is the first 21st-century retrospective of the artist. MoMA presents work from six decades of his career.

Anastasia Schipanova represents a new generation of Russian contemporary artists, who mix expressionism, symbolism and abstractionism.

The 16 practitioners who have been shortlisted for this year’s Aesthetica Art prize discuss contemporary themes and methods of working at Future Now.

[Re]construct demonstrates the ways in which artists have incorporated the materials of architecture through works selected by Arts Council.

As a collateral event of the 57th Venice Biennale, the Museo Correr shows 26 of Shirin Neshat’s portraits from The Home of My Eyes alongside new film, Roja.

Lead airplanes dominate a 1500-square-metre space and converse with a series of paintings in Anselm Kiefer’s installation at Copenhagen Contemporary.

A series of new work by Theo Simpson will be presented at the Webber Gallery Space booth at Photo London, from 18-21 May.

As both architect and designer, Dominika J Rostocka sees interior design as a passionately creative process, but bases an ethos around functionality.

Those attending Future Now have the added opportunity of an exclusive invitation to the Private View of the Art Prize Exhibition.

Shanghai Project’s Seeds of Time takes its title from the documentary of the same name, which shares the exhibition’s call for action regarding climate change.

Esther Hovers’ False Positives features intelligent surveillance systems – cameras that are able to detect deviant behaviour within public spaces.

The first major solo exhibition dedicated to the British artist Damien Hirst in Italy since his 2004 retrospective opens across two Venetian venues.

Anne-Marie Filaire’s Temporary Security Zone at Mucem features a body of work that is dense, engaged, rigorous and monumental.

Design Museum marks the centenary of the Russian Revolution. Imagine Moscow explores the city as it was envisioned by a bold generation of architects.

At the heart of Future Now is the understanding that bringing artists together encourages discussion, our portfolio reviews reflect this.

On Kawara’s One Million Years (Reading) opens at Venice Biennale 2017, calling upon volunteers to gather and list dates from the future and the past.

The inaugural Nigerian Pavilion comes to the Venice Biennale featuring the work of three leading Nigerian artists and exploring themes of identity.

Joel Meyerowitz: Towards Colour documents a seminal movement away from monochrome into the search for tonal complexity.

Jane Gottlieb’s compositions are a saturated depiction of cities and nature, reworking recognisable locations into hallucinatory snapshots.

Creatives from the 2017 Aesthetica Art Prize shortlist and longlist participate in a closing event at Future Now; hear from this year’s line-up.

This year’s Belfast Photo Festival challenges the colour binaries of pink and blue that are commonly assigned to newborns at birth.

Culture Shifts: Global at Open Eye Gallery explores the dynamic urban landscapes of Liverpool and Hong Kong as the cities seek to redefine themselves.

Sarah Perks (HOME, Manchester) delves into the various worlds of Artists’ Film, and the spaces in-between, ahead of a session at Future Now.

Future Now illustrates Aesthetica’s commitment to promoting emerging artists, offering portfolio review sessions with influential organisations.

kennardphillipps dig into the surface of words and images to visualise the connection between the oppressed and the political elites of the everyday.

Jean Davis paints abstracted figures placed in ambiguous settings. Her work focuses on themes of the impermanence of place and uncertainty of perceptions.

Ahead of a panel alongside Aesthetica, Corridor8 and Elephant Magazine, Christiane Monarchi expands on digitalised culture.

The finalists for Art Fund’s Museum of the Year have been announced including Tate Modern, The Hepworth and Sir John Soane’s Museum.

Yuge Zhou is a Chinese born, Chicago-based artist whose video and installation works explore the complex interactions between humans and their environment.

The status of the gallery is in flux, demonstrating why arenas for discussion such as Future Now are vital to making sense of the art world.

Ahead of Frieze New York, 5-7 May, the fair announces its plans for London’s largest outdoor exhibition, on view from 5 July.

Yeowoon Kim works with mobile art, presenting a new diagram of an image, alluding to imperfection whilst suggesting pixellation through the composition.

Artists have always used technology to redefine their work. But there are more practitioners working with code rather than “making” today.

Tate Britain reveals the Turner Prize shortlist for 2017: Hurvin Anderson, Andrea Büttner, Lubaina Himid and Rosalind Nashashibi.

This summer, Foam collates 120 works from the collection of The Gordon Parks Foundation into a comprehensive exhibition.

Conceptual artist Anna Fafaliou creates imaginary environments that call into question how we perceive, process and record daily materials.

As part of the Future Now Symposium 2017, Laura Purseglove will discuss the importance of place and its role within contemporary art.