Jane and Louise Wilson’s film, shortlisted for the Aesthetica Art Prize, explores what happens when a location takes on a porous identity.

Guggenheim presents a year long, two-part survey of early works and portraits by Robert Mapplethorpe produced from 1970 to 1988.

Taking on the roles of both artist and subject, Anja Niemi’s series reinvents the genre of self-portraiture, exploring dreams and identity.

Photography by Aesthetica Art Prize 2019 shortlisted artist Giulio Di Sturco reflects upon how the world might look and feel in the future.

Vasantha Yogananthan’s photography series A Myth of Two Souls blurs the lines between fiction and reality, drawing a varied portrait of society.

In today’s image-saturated culture, photography has never been more accessible. At Future Now, leading voices reflect on the state of the medium.

James Owen’s practice is inspired by mathematical equations and flowing movements within nature. The episodic images are contemporary and kinetic.

Aesthetica selects five new exhibitions from around the world. Each show questions nostalgia, history and identity through visual arts.

Alec Von Bargen’s photographic series, shortlisted for the Aesthetica Art Prize, captures moments of displaced peoples in South Sudan.

The 2019 Sony World Photography Awards Open and Youth shortlists have been announced, comprising works across ten diverse categories.

Immersive installation, visionary architecture and artists’ postcards come together in February 2019’s compilation of must-read publications.

Covering themes from technology and urbanisation to population growth and climate change, the Aesthetica Art Prize 2019 shortlist is announced.

Daniel Forero’s Reflections series was inspired by wanting to bring the beauty of the outside world into the photography studio.

February begins with a selection of inspiring photography and video exhibitions. Each responds to changing ideas of place and time.

Issue 87, Idea Generation, takes stock of what’s to come in the future of art, design, architecture and photography. Find out more about the issue.

Through changing environments, Bethany Murray’s photographic compositions explore the female body and its larger place in constructing identity.

Perfect Darkness is a series by Henri Prestes, shot in secluded and isolated villages, highlighting moments of melancholy.

Eamonn Doyle has quickly moved from DJ to street photographer, documenting Dublin’s inhabitants through an anonymous, isolated lens.

William Bunce is a still-life photographer and director working across editorial and advertising and experiments with narrative and visual cohesion.

New York-based May Parlar is a photography and video artist creating visual narratives that centre around the notion of belonging and identity.