Art History Revisited
Here are six artists from the Aesthetica archives who draw on art history: destroying, reinventing and updating the records for 21st century audiences.
Here are six artists from the Aesthetica archives who draw on art history: destroying, reinventing and updating the records for 21st century audiences.
Tate Britain’s current exhibition spans Caribbean-British Art from the 1950s to today. It is the first display of its kind in a major national museum.
London Art Fair responds to themes of ecology, migration and political nationalism through the work of 14 contemporary British photographers.
The ethics of representation have never been more important, or more closely scrutinised. Whose stories can we tell, how and why?
Lauretta Suter’s characters interact with environments in unexpected ways – standing on chairs, hiding behind cushions or diving into boxes.
Art in the Plague Year is a testament to photography as a record, and also as an act of recovery. The online show presents 55 artists.
German artist Benedikt Partenheimer uses concept-led photography and subtle optical tricks to reveal the invisible effects of climate change.
Bright crimson balloons. Colourful gifts, tied with bows. Red velvet curtains and bright orange cocktails. Drawn from the Aesthetica Archives.
What have you been reading this year? Aesthetica rounds up its most-read online articles of 2021, from emerging artists to the latest book reviews.
In 2020, far from her own family in England, Laura Stevens observed an extended French family learning to live together amidst the pandemic.
“The freedom lets you create anything you can imagine.” Tobi Schnorpfeil’s 3D world is a place where the sun is always setting – full of potential.
A new retrospective of work by photographer Imogen Cunningham explores her extraordinary range: from botanical studies to portraits.
LA-based Hugh Kretschmer’s characters inhabit altered realities, where everyday objects appear off-kilter and things are slightly askew.
Photography plays a significant role in highlighting environmental damage, which can be difficult to see, much less identify.
This year, Aesthetica marked its 100th issue. To celebrate, we’re looking back at 2021 through the lens of our most recent cover photographers.
BIENALSUR – the International Biennial of Contemporary Art of the South – creates a network of associative collaboration around the globe.
Thomas Demand’s work may, at first glance, appear to show empty, mundane interiors. These are, in fact, highly politically charged locations.
Anna Huix’s works are bright, energetic and full of motion. Figures twist, bend and stretch – creating unexpected shapes and silhouettes.
Patrick Wack’s new monograph, DUST, explores whether China’s 21st century push westward mirrors events in America 200 years ago.
