Graphic Distortion
Niall Staines turns serene landscapes into surreal dreamscapes, pulling waves downwards as if the lines were a solid cross section in the earth.
Niall Staines turns serene landscapes into surreal dreamscapes, pulling waves downwards as if the lines were a solid cross section in the earth.
Vanja Bučan explores humanity’s juxtaposing relationship with nature – between ambivalence, control and, paradoxically, romanticisation.
Hollie Fernando creates dreamlike, youthful images inspired by classical painting. The result is a bright fantasy world without limits.
Vilma Pimenoff’s series brings Vanitas compositions into the Anthropocene age, drawing upon our production and use of plastic.
Kristoffer Axén’s practice is centred around surrealism and solitude, examining imagined existences both literally and figuratively.
Maria Lax is a London-based photographer from a small town in Northern Finland. She is known for seamlessly blending reality and fantasy.
Minh T.’s images are a reflection of serenity and hybridity, as well as isolation and loneliness in a network of concrete as it merges with the sky.
Marcus Møller Bitsch’s most recent series asks questions about the nature of memories: their veracity and our interactions with them,
For three years, British photographer Joshua K. Jackson walked through the lamp-lit and neon-filled streets of London’s Soho at night.
“The way to heaven out of all places is of length and distance.” Stefano Giacomello renders landscapes that offer a sense of freedom and visual serenity.
As a lover of architecture, Salva López’s images build on abstraction, forms and lines, and looking for what he defines as “global visual harmony.”
Patrick Clelland is a Sydney-based photographer whose work explores the atmospheres of urban environments constantly in flux.
Nicolas Polli plays with domestic still lifes, imagining a world – like many of us have throughout lockdown – in which objects are characters.
Kao Saephan is a photographer and writer who’s interested in the cinematic nature of smaller, often forgotten towns in California.
Bara Prasilova’s surreal images teeter on the edge of absurdity and humour, using props to create authenticity and real physical tension.
Felipe OA’s images communicate feelings of isolation and loneliness in the landscape, heavily inspired by literary and cinematic aesthetics.
Sean Jackson’s new series is a collection of images capturing New York during the peak of the Covid-19 pandemic, between 13 March and 10 May.
David O’Meara’s photo composites walk a fine line between forms, evoking a familiar sense of longing
whilst hovering above pedestrian crossings.
Jordan Pope’s images use colours as a way to express emotions, creating dreamy hillsides at the rise and fall of the day.