Sebastiaan Knot’s illusory geometries are created without any digital manipulation. Crisply folded sheets of card pop out from orange and purple walls.

Dusky pink clouds. Olive green skies. Cracked white walls and peeling paint. These are surreal dreamscapes by photographer Alizé Jireh.

Paula Mahoney’s works are at once performative and surreal, drawing attention to the sense of loss and mourning that can be evoked by clothing.

Ash Camas’ vivid images – taken in Canada, France, Sweden and beyond – encourage us to look at cities anew: cropping, repositioning and flattening them.

Margriet Smulders’ contemporary vanitas depict petals, berries and leaves floating on water – causing ripples and washes of colour to bleed and blend.

To look at infrared photography is to look at the invisible world. The human eye can see wavelengths from 400nm – 720nm. Infrared sits beyond 720nm.

Trung Bao compares the image-making process to that of music, with the ultimate goal of evoking feelings that are often hard to put into words.

Scraps of paper, plants, canvases, salvaged objects. Photographic artist Anaïs Boileau is deeply intrigued by materials and the Mediterranean climate.

Niccolo Casas’ scenes are dystopian: the stuff of science fiction. Leaves emerge from marble windows – reminiscent of giant scales or holes in a wasp’s nest.

“Each of my photos is like looking at a page from my diary.” Delfina Carmona’s process is defined by autobiography, experimentation and fun.

Belgian-Cameroonian photographer NJAHEUT is interested in the complexities of identity, breaking down stereotypes and celebrating shared humanity.

James Tralie’s images are windows into the imagination: otherworldly aquatic dreamscapes and relaxing, plant-filled environments.

Thandiwe Muriu is passionate about celebrating and empowering women, creating bright and bold works rooted in self-love, history and identity.

Confetti soup. Soap soup. Cloud soup. Rain soup. Miguel Vallinas Prieto’s Suppen series visualises what happens when we let the imagination run wild.

There’s a palpable sense of movement in Francesco Gioia’s visual world, as inhabitants pound pavements or hail taxis, bathed in contrasting light and shadow.

Memory, loss and family are central to Heather Evans Smith’s latest series, which is filled with visual metaphors surrounding the colour blue.

In 1992, a strange pine tree appeared in Denver, Colorado. Its goal: to remain as invisible as possible, camouflaging an antenna in plain sight.

“Cyberpunk” is a sub-genre of science fiction featuring advanced technology. These stories inspired Austin Poon to begin creating 3D digital art.

A new botanical encyclopaedia documents plants and flowers seemingly impossible in nature, with digital stems bending and twisting.

Wuthipol Ujathammarat’s vibrant abstract images present the buildings, floodlights, security cameras and fire escapes of Bangkok as never before.