5 To See: This Weekend
21-22 October. This week’s selections question realities and re-establish norms through photography, installation and new design.
21-22 October. This week’s selections question realities and re-establish norms through photography, installation and new design.
The fifth edition of Lumiere Durham returns next month, illuminating the city in unexpected, spatially resonant ways.
Leeds Art Gallery reopens to the public after undergoing restorative work on its roof for nearly two years, with an exciting 2017 programme.
Wren Artists presents Felicity McCabe at Great Eastern Wall Gallery, London. Archive explores the nature of transience and false memories.
Human activity and its power to transform the world is the theme at the heart of Ali Kazma’s practice. Jeu de Paume, Paris, offer a view into his perspectives.
One of the great institutions of art history in the 20th and 21st centuries, MoMA, is showcased in an exhibition at Fondation Louis Vuitton.
Originally on display at Victoria and Albert Museum’s Simon Sainsbury Gallery, While We Wait comes to Concrete, a multidisciplinary public space.
Building upon an established creative legacy, the year ahead at YSP is set to feature ambitious interventions in the park’s historic landscape.
6-8 October. This week’s selection comprises world-renowned galleries, exhibitions and events with the larger goal of connection and collaboration.
Amongst the dizzying diversity of contemporary art on view, the greater themes pulsing through this year’s Frieze London touch upon global politics.
James Freeman Gallery’s, London, new exhibition Nocturne features the work of Lucy Glendinning, Simone Pellegrini and AAP Artist Suzanne Moxhay.
A new anthology, edited by Fiona Rogers and Max Houghton, champions international female photographers and offers unforeseen points of view.
The complex military and political history of the 18th century Blenheim Palace both inspires and complements Jenny Holzer’s new works.
Emmanuelle Moureaux’s I am here has won the 2017 Aesthetica Art Prize People’s Choice Award, an installation crafted from 300 colour cut-outs.
Tate Modern’s signature series of site-specific installations in the vast former industrial space of the Turbine Hall continues with SUPERFLEX.
The October / November issue looks at practitioners who are responding to the current global situation in intelligent and meaningful ways.
With a keen attention to textural detail, Elise Mesner finds unexpected dimensions and translates everyday scenery into a halcyon summer.
Eric Dufour’s practice is based upon the desire to evoke a variety of emotions and concepts through compositions devoid of unnecessary content.
Over the past four years, Hayley Eichenbaum has documented the remnants of Route 66, resulting in the pop-coloured The Mother Road series.
