It’s Nice That launch the Autumn/Winter 2018 edition of Printed Pages – an arts and design compendium highlighting 100 years of Bauhaus.

The Stewarts RCA Secret show returns 1-3 December, including over 1,800 postcard-sized works from both established and emerging artists.

Spanning photography and installation, shows opening at the start of December demonstrate approaches to personal and collective identities.

Six N. Five is a design studio that specialises in still life visuals and videos with a clean and modern aesthetic inspired by Edward Hopper.

Championing young artists, architects and designers, COS extends its aesthetic to the wider sector, acting as a gallery space for new visionaries.

A new generation of artists considers the allure of visual stimulation, creating playful and immersive projects that trigger sensory experiences.

In an age where photography is democratised, Foam’s 2018 Talents create an overview of the world in a time of upheaval and apprehension.

Influential fashion photographer Erwin Blumenfeld’s oeuvre demonstrated a belief in image-making as an art form, pushing boundaries.

In an increasingly urbanised and digital world, virtual reality experience We live in an Ocean of Air offers an essential moment of reflection.

In the beginning, there was a pulse. This is at the heart of a series of large-scale installations by Rafael Lozano-Hemmer built around vital signs.

In 2018, there are over 4 billion internet users worldwide. Revealing the hidden network behind this is Artangel winner Evan Roth’s Red Lines.

Xiaowei Chen works in the USA and China. We discuss her solo exhibition Endless Pointsat AroundSpace Gallery in Shanghai until 30 December.

Demonstrating a rich sense of heritage whilst looking to the future of design, this selection blends bold aesthetics with functionality.

Ward Roberts draws upon the effects of loneliness and isolation in today’s world. His Flotsam series builds upon repetition, acclimatisation and reverie.

Split Second, a new exhibition of works by Anthony McCall, occupies the boundaries between drawing, cinema and sculpture.

David Hartt’s In The Forest investigates the legacy of modernist architecture and its utopian ideals through the lens of Habitat Puerto Rico.

Judy Chicago’s highly immersive, visually mesmerising works continue to make a resonant statement about the experiences of women.

The Castle, a new body of work by Richard Mosse, reveals the ongoing refugee and migration crisis in the Middle East, North Africa and Europe.

Ghosts Don’t Walk in Straight Lines – a project by Saskia de Brauw and Vincent van de Wijngaard – takes a reflective trip across Manhattan. 

From Las Vegas to the Caspian Sea, these exhibitions move past categorisation to respond to urban, natural and constructed spaces.