Works in Colour
Vivian Maier’s photographs came to light after her death. Claartje van Dijk, Head of Exhibitions at Foam, discusses their planned show for 2020.
Vivian Maier’s photographs came to light after her death. Claartje van Dijk, Head of Exhibitions at Foam, discusses their planned show for 2020.
We are living in a technological age. VR and AI are becoming integrated into our culture. The Aesthetica Art Prize responds to this new era.
Photographer Charlie Goodge and Art Director Jessica Jung have paired up for an abstract series that parallels architecture and ceramics.
The Museum of Modern Art, New York, has the largest digital audience of any museum.
Aesthetica delves into its online programme.
On 22 April 1970, the world marked the first Earth Day. For its 50th anniversary, Aesthetica selects digital programmes to explore at home.
The art world is responding to an unprecedented moment. Archivio Luigi Pericle, Ascona, launches online initiatives for international audiences.
Sony World Photography Awards celebrates images with a powerful visual narrative. This year’s Open Competition winners are announced.
‘Venus & Mercury’ is the latest series from Viviane Sassen. Whilst the show is closed, Huis Marseille’s Director, discusses the legacy of Sassen.
Cyril Lancelin combines technology and art, engaging the public with installations that provoke questions about the built environment.
Creative duo Julia Galdo and Cody Cloud formed JUCO after meeting at the San Francisco Art Institute in 2002. Aesthetica surveys their work.
Video content is integrated into our culture. The Aesthetica Art Prize celebrates artists working with film as a means to question today’s world.
After half of Claudia Andujar’s family were killed in WWII, she dedicated five decades to raising awareness of the Yanomami people in Brazil.
Growing up on the east coast of South Africa, Travys Owen is invested in his surroundings, translating bright blue skies into the still image.
Doan Ly’s images are reminiscent of Caravaggio’s legacy – light draping past segments of melon, orange peels and split pomegranates.
Sculpture is evolving, with digital techniques continuing to widen its definition. The Aesthetica Art Prize celebrates this creative innovation.
Joshua White, Gallery Director at Hamiltons, discusses works from Don McCullin and collections from the British Film Institute.
Jimmy Marble’s first camera was an iPhone 3 – it “helped me to get over my fears about photography.” Aesthetica surveys five years’ work.
Federica Beretta, Director at Opera Gallery London, discusses managing the gallery in a time of mass-closures and isolation.
Olafur Eliasson experiments with installation, public projects, photography and film to explore perception and our relationship with the world.
