Lucy-May Turner uses collage to counteract women’s predisposition of comparing themselves to the unrealistic body imagery.

K Eliza’s abstract approaches unearth and release deep-rooted emotions as part of a cathartic process of the rebirth of the self.

Jessica Mitchell’s practice highlights humanity’s relationship with beauty and the negative effects that come from trying to define it.

Jesse McMahon is a multimedia artist. Drawing influence from avant-garde music and film, he creates experimental installations and video.

Central to Jasmine McKnight’s work is the use of artificial colours to create other worldly atmospheres and disorientating experiences.

Using experiences of mental illness, Emilia Brassington-Jones creates visual representations of her mind through line and illusion.

Elinor Williams is an illustrator and animator. She is an artist living with chronic illness, and her work is driven by a fascination with human anatomy.

Deborah Sisk is a sculpture and collage artist whose work explores her own extraction of personality, as a woman sacrificed to undervalued roles.

Chloe Wong’s practice pays close attention to the details of everyday items. She surveys textures, colours and natural beauty that is found in decay.

Chelsea Stephenson focuses on re-creating the created. Her main interest surrounds landscapes and seascapes, with a focus on plastic waste.

Annabel Scott’s practice is inspired by popular culture, demonstrating the way that urban and cultural areas affect the way art is viewed.

Tallula Scrimshaw is best known for her installation pieces; tactile sculptures made from scrim and plaster or clay hang and drape to create tension.

This issue is about realignment and hope. As humans, we need to understand our place in the world and the fragility of this ecosystem.

KangHee Kim distils the everyday, transforming it into something altogether different and utterly fantastical – encouraging imagination in viewers.

Through bold costume, colours, pageantry and performance, Athi-Patra Ruga asks meaningful questions about how to decolonise the art sector.

Julia Keil’s self-portraits reference works from the worlds of film and fine art to express familiar experiences whilst living in global lockdown.

World Photography Organisation outlines the principles behind successful visual storytelling through technical and conceptual innovation.

How can architecture create a more inclusive and connected world? Lina Bo Bardi offers vital lessons about how to rebuild and repurpose.

Humanity’s interactions with nature are swiftly being rewritten. Makoto Azuma investigates this idea through large-scale botanical installations.

Diane Villadsen builds on our appetite for candy coloured compositions. Dreamlike tones move from blush pink and lemon yellow to soft lilac.