A major exhibition of interactive works by Japanese creative studio TeamLab marks the opening of Amos Rex, Helsinki.

Edmund Clark’s Control Order House explores detention through photographs, architectural representations and handwritten documents,

Aesthetica collates five of 2018’s must-see photography events, each providing a platform for the next generation of talent.

Reuben Wu is a photographer, filmmaker and music producer whose visual work is driven by the urge to explore new places as if they were unknown.

Ahead of our call for entries closing this month, we foreground a selection of visually compelling and thought-provoking photographers from 10 finalists.

Recording ephemeral housing structures and their surroundings, Antoine Bruy’s series, Scrublands, reveals an alternative way of life.

Must-see exhibitions running 11-12 August push the boundaries of art by questioning media imagery and using drones to replicate nature.

We select five practitioners from previous editions of the Aesthetica Art Prize who engage with new technology and digital culture.

Paul Graham’s The Whiteness of the Whale  reveals class divisions in the US through a thoughtful approach to photography.

Daniel Boudinet’s body of work traverses the nocturnal city, revealing a sense of mystery and surrealism in the urban landscape.

NMWA’s Heavy Metal looks to the physical and expressive possibilities of metalwork, disrupting predominantly masculine preconceptions.

Aesthetica’s selection of US exhibitions open this season investigates timely themes of surveillance, unseen sites and voyeuristic city scenes.

How To See [What Isn’t There] is a group exhibition at Langen Foundation comprising 32 artists from the Burger Collection, exploring profound territories.

We speak with Sydney-based Harriet Moutsopoulos, a collage artist working under the name Lexicon Love; she seeks out the unexpected connections between humour and tragedy.

Helping to shape an understanding of the interwar years in the US, Dorothea Lange’s deeply human images of urban situations are strikingly poignant.

Photographer Francesca Woodman considered Italy her second home. A new exhibition considers the country’s profound influence.

Aesthetica Art Prize alumnus Jasmina Cibic continues to untangle the complex relationships between art, gender and state authority.

American artist Matthew Adam Ross, based in Los Angeles and New York, considers his practice to be a line of enquiry. We speak with him to find out more.

Minimal fashion brand COS announces the opening of a new London store and creative centre at Kings Cross, offering a new retail model.

A collection of Olafur Eliasson’s immersive, environmentally responsive works are on display at Red Brick Art Museum, Beijing.