The Undefinable Design
Drawing on the duo’s ethos of looking beyond expectations, a new book from Phaidon tells the story of Snarkitecture’s rise within the industry.
Drawing on the duo’s ethos of looking beyond expectations, a new book from Phaidon tells the story of Snarkitecture’s rise within the industry.
The April / May edition captures the zeitgeist of our times. We look at how the world is developing and how art and design are commenting on that.
London-based Ming Lu is a multidisciplinary artist who combines contemporary techniques with an examination of social and cultural expectations.
Moving into April, exhibitions reflect on notions of place and time, offering new perspectives on an ever-changing world.
A large scale sculptural installation by Philip K. Smith III in collaboration with COS opens during international design fair Salone del Mobile.
A catalogue of the sublime everyday, Tekla Evelina Severin’s collection focuses on intimate, stylised instances and communicates a sense of joy.
Focusing on tropical motifs and idealistic landscapes, Adrienne Raquel’s works are playful and vibrant, communicating a sense of nostalgia.
Deeply mystical and ritualistic, Alexis Pichot’s series Marche Céleste establishes the supremacy of nature as a powerful, universal and innate force.
A Berlin-based studio brings bioplastic into the fashion industry by experimenting with plant-based processes to address the issue of waste.
Salvador Cueva’s images have been acclaimed for their representations of time and memory in the urbanised, almost ornamental metropolis.
Looking at the idea of social community as a model for idea generation, a team of Norwegian designers address global concerns through production.
Profiling the announcement of the annual awards through a celebration of structural excellence that pushes beyond aesthetics and functionality.
Circulation(s) returns for 2018, showcasing the imaginations of emerging photographers that touch upon wider social and political issues.
Bridging the boundaries between art, culture and philosophy, HowTheLightGetsIn Festival makes sense of the world through a diverse progamme.
Working primarily in staged self-portraiture, Maher is widely known for obscuring the faces of her subjects, using symbol and colour to convey emotion and narrative.
Giacomo Infantino’s work uses staged scenes to evoke intimate and personalised narratives. The featured images outline places in Varese.
Future Now provides an imaginative platform for attendees to consider the arts ecosystem within a broader social, political and professional context.
The top picks for 24-25 March engage with art history, reinventing traditional approaches through photography and installation.
Smithsonian American Art Museum, Washington DC, offers an incredibly idiosyncratic installation – a trip down Do Ho Suh’s memory lane.
