Deeply influenced by modernist canons, Emre Yunus Uzun, an emerging designer, looks to the future of production through material integrity.

A rare collection of vintage prints by Daido Moriyama are at Michael Hoppen Gallery, London, celebrating a view into lesser-known city streets.

The 2018 edition of India Art Fair foregrounds contemporary art from South Asia, offering insights into the region’s thriving cultural scene.

Suki Dhanda is interested in ethnicity, people and place. A new body of work at Plymouth College of Art highlights the changing landscape of the city.

Systems define the human experience. Exhibitions running 27-28 January inspect a range of contemporary structures.

The Photographers’ Gallery, London, provides an intimate glimpse into a pocketed history of cross-dressing, and those that lived through it.

Edwynn Houk Gallery, New York, showcases a point of innovative transformation for one of America’s greatest colour photographers: Stephen Shore.

A Universal History of Infamy, an ongoing multisite show, presents an examination of the relationship between Latin America and the wider US.

Moldova is the focus of a new exhibition at Fotografiska, Stockholm, which presents the work of award-winning photo-journalist Åsa Sjöström.

Natalie Christensen’s 25-year career as a psychotherapist informs her practice as an artist; each image reflects deeper conceptual thoughts.

Terminus, a recent series by Mark Steinmetz, examines the pubic and private moments that occur within and around aerodromes.

Part of a generation racked by hyperactivity, Tina Barney captures the details of north eastern, suburban America.

Exhibitions running 20-21 January offer viewers the opportunity to reflect on the modern world, building platforms for introspection.

The work of 19th century visionaries is the starting point for a new show at Foam, Amsterdam, which links photography’s inception with the modern day.

In an accelerating landscape, fresh ways of understanding the world become important. Bloomberg New Contemporaries offers insight.

YSP has consistently positioned itself within the arena of creative social change, a notion continued in a collection that, quite simply, makes a difference.

In an age of gratuitous image editing and fake news, it is hard to distinguish artificiality from reality. Alex Prager investigates this confusion.

The way society consumes information is shifting. MACK foregrounds the enduring conceptual importance and materiality of their volumes.

Façades are designed to conceal hidden realities. Exhibitions running 13-14 January construct and dissect exteriors to investigate such illusions.

The term “soft power” is used to described how political rhetoric is deployed through culture. Jasmina Cibic examines this rhetoric.