Distinctive Perspectives
On Common Ground at Goodman Gallery positions work by two of South Africa’s most renowned photographers side-by-side.
On Common Ground at Goodman Gallery positions work by two of South Africa’s most renowned photographers side-by-side.
With two weeks to go until our call for entries closes, we reflect on the responsive works of 2016 Aesthetica Art Prize winner Rachel Ara.
Two exhibitions celebrate the versatile and deeply affecting oeuvre of Roman Vishniac, who captured a changing social landscape.
The escalation of the creation, interaction and circulation of images is highlighted by Foam Talent at The Frankfurt Art Association.
My Nights are brighter than your Days by Franck Abd-Bakar Fanny records the metropolis and surrounding suburban landscapes after dark.
In 2014, Stefanie Moshammer embarked on a three-month assignment in Las Vegas. Whilst there, a strange encounter inspired a deluge of images.
A new exhibition at Hayward Gallery, entitled DRAG: Self-portraits and Body Politics, explores notions of identity, gender, class, politics and race.
A major exhibition of interactive works by Japanese creative studio TeamLab marks the opening of Amos Rex, Helsinki.
Edmund Clark’s Control Order House explores detention through photographs, architectural representations and handwritten documents,
Aesthetica collates five of 2018’s must-see photography events, each providing a platform for the next generation of talent.
Reuben Wu is a photographer, filmmaker and music producer whose visual work is driven by the urge to explore new places as if they were unknown.
Ahead of our call for entries closing this month, we foreground a selection of visually compelling and thought-provoking photographers from 10 finalists.
Recording ephemeral housing structures and their surroundings, Antoine Bruy’s series, Scrublands, reveals an alternative way of life.
Must-see exhibitions running 11-12 August push the boundaries of art by questioning media imagery and using drones to replicate nature.
We select five practitioners from previous editions of the Aesthetica Art Prize who engage with new technology and digital culture.
Paul Graham’s The Whiteness of the Whale reveals class divisions in the US through a thoughtful approach to photography.
Daniel Boudinet’s body of work traverses the nocturnal city, revealing a sense of mystery and surrealism in the urban landscape.
NMWA’s Heavy Metal looks to the physical and expressive possibilities of metalwork, disrupting predominantly masculine preconceptions.
Aesthetica’s selection of US exhibitions open this season investigates timely themes of surveillance, unseen sites and voyeuristic city scenes.
