Zhang Ahuei’s compositions include unexpected elements that are both unsettling and alluring, blending the real and surreal; fashion and fine art.

Glenn Homann explores the developments of iPhone cameras, producing abstract snapshots that turn Brisbane into a saturated wonderland.

Sprengel Museum, Hannover, probes 40 years of image-making in North America and Canada, alongside the concepts of veracity and narrative.

A new collection of Black photography spans the Atlantic Ocean, highlighting neither protest nor celebration, but intimate documentation.

Ingrid Weyland’s collage compositions tap into the age of Anthropocentrism, with human hands literally altering ecosystems from the inside out.

Harriet Moutsopoulos (aka Lexicon Love) creates digital collages that manipulate the origins of images, unsettling the viewer.

Karen Constine subverts the LA landscape using an infrared camera. Deserted suburban streets are transfigured into surreal planes.

David Benjamin Sherry’s large-format images, shot in hyperreal monochrome, depict sites that were threatened during Trump’s administration.

William Mullan and Andrea A. Trabucco-Campos offer highly stylised portraits of apples: the fruit that has long symbolised knowledge and power.

Kate Theo places characters in their own surreal worlds. Concentric circles hover like ellipses alongside balloons and golden cages.

Kevin Krautgartner’s series captures large-scale tulip agriculture from above. Aerial shots depict rows of flowers like striped barcodes.

The American South has diverse and complex histories. What happens when 16 photographers are invited to picture the region over 25 years?

Foto/Industria biennale offers a provocative glimpse at what we eat, how it’s presented and its larger cultural impact, from field to the table.

Palaeoclimatology includes the study of ancient climates. Noémie Goudal foregrounds the larger narrative of Earth’s 4.543-billion-year lifespan.

Andreas Gefeller’s aerial photographs highlight shapes and patterns of infrastructure, from the sprawling and asymmetrical to the small and neat.

What role do images play in the way we understand crises? Thomas Wrede’s glacier photographs combat anthropocentrism in 2021.

How does style equate to a sense of belonging? What are the semantics of fashion? These are some of the questions asked by Casey Orr.

Sophie Holden is the 2021 recipient of the Aesthetica / London College of Communication Next Generation Award – a rising star.

In the Santa Barbara series, Diana Markosian draws on autobiography, mixing fantasy and reality. But what motivates such work? Who is it for?

Crescent moons, bending branches, manicured garlands and grouped balloons: these are the colourful portraits of photographer Fares Micue.