Jan Prengel’s Plants from Space series showcases flowers as if they were priceless exhibits: oddities from an alternate universe.

Murray Fredericks captures ethereal horizons on Kati Thanda-Lake Eyre, an endorheic salt lake 700km north of Adelaide, Australia.

Olivia Locher highlights humanity’s unrealistic expectations, depicting daily regimes to comedic effect, where candles literally burn at both ends.

Ulaş Kesebir and Merve Türkan work as a duo to redefine the parameters of fashion imagery, with bold colour schemes and alluring environments.

Michel Lamoller’s photographic reliefs highlight the alarming rate at which humanity is expanding, depicting high-rises as markers of infrastructure.

Over 12 years, Gillian Laub produced a major documentary project in Montgomery County, Georgia, a series sparked by one written letter.

Andrea Lohmann’s compositions are inspired by the built environment: structures from the post- war period complemented by passing clouds.

Laura Perrucci and Matteo De Santis demonstrate a fresh take on collage. Bubble wrap and printed words lie over cloudless blue skies.

Ellen Jantzen stretches, cuts and pastes an array of organic samples, drawing attention to the vast editing processes that define 21st century media.

Diasporic legacies, historical figures, baroque designs and contemporary fashion unite in a series of studio portraits by Omar Victor Diop.

Plastic is one of the world’s most ubiquitous and damaging substances. Mandy Barker’s disquieting images demonstrate the extent of the emergency.

Tobias Schnorpfeil is a German engineer and tech founder whose compelling digital renders utilise data sets to build up colour, texture and material.

Thomas Jordan’s Instant Honey series offers a glimpse of the Midwest at sunset. Lilacs blend seamlessly into burnt oranges and inky blues.

Zhang Ahuei’s compositions include unexpected elements that are both unsettling and alluring, blending the real and surreal; fashion and fine art.

Glenn Homann explores the developments of iPhone cameras, producing abstract snapshots that turn Brisbane into a saturated wonderland.

Sprengel Museum, Hannover, probes 40 years of image-making in North America and Canada, alongside the concepts of veracity and narrative.

A new collection of Black photography spans the Atlantic Ocean, highlighting neither protest nor celebration, but intimate documentation.

Ingrid Weyland’s collage compositions tap into the age of Anthropocentrism, with human hands literally altering ecosystems from the inside out.

Harriet Moutsopoulos (aka Lexicon Love) creates digital collages that manipulate the origins of images, unsettling the viewer.

Karen Constine subverts the LA landscape using an infrared camera. Deserted suburban streets are transfigured into surreal planes.