Clare Mitten, Cara Nahaul and Corinna Till: Jerwood Painting Fellowships, Jerwood Visual Arts, London.
Review by Laura Bushell Jerwood Visual Arts’ support for painters has morphed over the years from an annual cash prize through to the group show…
Review by Laura Bushell Jerwood Visual Arts’ support for painters has morphed over the years from an annual cash prize through to the group show…
Venice is the biggest date in the art world diary and Mike Nelson’s installation, conceived and created in the British Pavilion is no different. Nelson…
Review by Regina Papachlimitzou Magical Consciousness examines and negotiates philosopher Vilém Flusser’s postulation that the act of looking carries more intrinsic potential than the object…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. The tree of life, a…
James Merrigan is an artist and art writer based in Dublin. David Beattie’s work has an element of alchemy about it, where banal objects or…
Recognising the true potential of photography and following on from the success of the inaugural festival last year, The Guernsey Photography Festival presents exhibitions by…
Taking place across a six-month period, from June to November, this year’s Biennale di Venezia seeks to understand the significance of art in a globalised…
Review by Lauren Sperring In our contemporary society, photography is a medium of the masses. It is taken for granted, a tool perpetually present, tying…
Round-up by Eftihia Stefanidi Closing on 22 May, Cannes 2011 was one to remember and though Cannes’ milieu may appear frivolous, tasteless and absurd from…
Review by Kara Magid, a candidate for the MA in Art History at Richmond, The American International University in London. Peter Marlow’s Point of Interest…
Review by Colin Herd The Greek myth of Narcissus has captivated Western civilization for centuries: an exceptionally beautiful, though proud and precious youth disdains all…
Examining the intersection between aesthetics and journalism goes back to Dostovesky and his writings on the theoretical link between a commitment to the aesthetic ideal…
Review by Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Decorating Euston Road in the…
Filmmaker Series – Part 4 Q&A with Daniel Wirtberg For the fourth instalment in our Q&A series with last year’s Aesthetica Short Film Competition winners…
Review by Jessica Jones-Berney As I follow the row of Philip-Lorca diCorcia Polaroids lined up against the otherwise sparse white walls of Sprüth Magers, it…
Review by Nathan Breeze Concrete Geometries is an ongoing research initiative at the Architectural Association directed by Marianne Mueller and Olaf Kneer. Derived from ‘Concrete…
Review by Grace Henderson Exposed, enclosed, surrounded – in Arthur Miller’s classic but timelessly terrifying drama The Crucible, no protagonist escapes these feelings. Set in…
Review by Matt Swain White Cube Hoxton Square presents the first solo UK exhibition by Friedrich Kunath. Born in Germany and based in Los Angeles…
