Piecing it Together
Karen Navarro calls upon photography, collage and sculpture to investigate the concepts of race, gender and belonging, and how they converge.
Karen Navarro calls upon photography, collage and sculpture to investigate the concepts of race, gender and belonging, and how they converge.
Gerwyn Davies is an Australian photographer who makes images that empower and conceal, combining hand-made costumes and edits.
Richard Mosse uses new imaging methods to recontextualise ecological catastrophe. His latest project looks at destruction in the Amazon.
Photographs relay information for the viewer, but what happens to the truth in the process? 10 new photographers work with these questions.
Hawkesworth’s latest project, shot over 13 years, offers a glimpse of Britain and its diversity, a celebration of photography without borders.
Artists have long sought inspiration in found photos. We consider the ethical implications of collage in an age of visual abundance.
Benoit Paillé’s hyperreal image series demonstrates how photography doesn’t, in fact, capture reality, but is an active creator of reality.
Thandiwe Muriu’s has been widely lauded for her distinctive style: clean, crisp and elegant, demonstrating the skill and vision of a rising star.
Signs and Symbols: Issue 102 considers the difference between “looking” and “seeing” –
how we view ourselves and the world around us.
Eliza Bourner is a lens-based artist capturing cinematic self portraits of postmodern living; alienation, loneliness and unease.
Jessica Backhaus arranges tiny paper cut outs in the Berlin summer sun. As the shapes begin to curl and bend, she captures their dance-like forms.
This year’s Wellcome Photography Prize shortlist turns the lens to issues surrounding mental health, global heating and infectious disease.
Circles of red, swirls of yellow, splashes of green. Colours blending, separating and pooling. These are kaleidoscopic works by SPONK.
What do tomorrow’s designers, makers and influencers look like? Nottingham Trent University’s Showcase provides the answer.
Sarah Doyle’s images are bold, abstract and contemporary, with sand covered staircases, teetering matches and stacked pink discs.
Deana Lawson’s powerful portraits, which won her the Hugo Boss Prize 2020, draw on symbols of historical paintings and religious iconography.
Around 9 in 10 people surveyed in 2020 agreed that getting outdoors is good for mental health. Ben Butling responds through visual communication.
Richard Mosse uses a highly stylised visual language that forces us to look at subjects in a different way. A retrospective opens in Bologna.
Carmarthen School of Art is a creative community fuelled by ambition, innovation and vision. They’ve launched one of the largest online shows.
