Bringing together work by Zoe Wetherall and Ashok Sinha, Front Room Gallery’s Strata investigates the medium of aerial photography.

Trevor Paglen: Sites Unseen, a new show opening at Smithsonian, Washington, occupies the boundaries between art, science and investigative journalism.

In a new exhibition titled Architecture and People, Nederlands Fotomuseum brings Werner Mantz’s architectural and portrait works together.

Coinciding with Art Basel, photo basel, Switzerland’s first photography fair, investigates the boundaries between truth and fiction.

Founded in 1995 in the city of Gwangju in South Korea, the Gwangju Biennale is Asia’s first and most well-known contemporary art biennale.

Tish Murtha captures a sense of timelessness through photography that addresses neglected youth in the north of England.

Deconstructing myths and clichés, Wild West is the outcome of a trip that Joachim Hildebrand took around the seven states of the American Southwest.

Wim Wenders’ visual diary of instant snapshots from the 1960s – 1980s offers a glimpse into life on set that predates social media.

Identities overlap and intersect: no one is defined solely by their race, gender, class or nationality, but rather by a combination of complex factors. This…

Photography exhibitions opening at the start of June offer encounters with the natural environment, testing the limits of representation.

Celebrating 100 years since the birth of Irving Penn, an extensive retrospective of the photographer’s portfolio is presented at C/O Berlin.

In a fast-developing visual and digital world, graduates offer unique, forward-thinking perspectives on a globalised landscape.

The first UK solo exhibition of German photographer, Olaf Otto Becker, opens at Huxley-Parlour Gallery, London. 

Art Basel’s photography selection includes key voices, raising awareness of ongoing social, political and ecological questions.

Photographer Jean Molitor has been tracking the legacy of Bauhaus since 2009, capturing the movement’s bold aesthetic.

Exploring the timely boundary between truth and fiction, Thomas Wrede’s works offer a surreal reflection on the fidelity of photography.

Sabine Weiss and Fred Herzog articulate the post-war urban landscape through a bold use of contrast, holding up a mirror to society.

Mary Mattingly looks into the wider effects of mining and chemical cultivation, investigating supply chains through a critical approach.

Combining strong geometric patterns, clean lines and bold colours, Leonardo Pucci’s body of work, documents the urban landscape.

During travels throughout Europe, the US, Asia and North Africa, Otto Reitsperger captured the sea illuminated only by moonlight.