Uncanny Performance
Michelle Cho & June Kim’s collaborative series look into the ideas of relativity in the everyday, inspired by vivid and structurally expansive architecture.
Michelle Cho & June Kim’s collaborative series look into the ideas of relativity in the everyday, inspired by vivid and structurally expansive architecture.
Ole Marius Joergensen creates narratives around the themes of identity, using empty topographies as spectres of unidentifiable emotions.
Inge Morath traversed the globe as a travel, portrait and reportage photographer, joining Magnum Photos in 1956.
Anarchitect, a retrospective of Gordon Matta-Clark’s short but incendiary career, is currently on show at Jeu de Paume, Paris.
Photographs by Joachim Hildebrand, who is part of the 2018 Aesthetica Art Prize, investigate notions of the American dream.
Mária Švarbová’s series, Swimming Pool, goes on display as part of this year’s edition of PHotoEspaña, Madrid.
The Open Road: Photography and the American Road Trip explores the work of 19 photographers who are inspired by the open road.
Gail Albert Halaban’s series, Out My Window, documents community life through a detached yet intimate lens.
Tacita Dean explores “landscape” in its broadest sense in show at the Royal Academy, London, building upon larger themes from the modern world.
Experienced in architecture, fashion and design, Julia Körner combines formulae from the natural landscape with technological advancements. Having previously featured in Aesthetica, Körner returns with a…
Moving towards the end of May, top shows and events investigate what it means to live in an increasingly globalised landscape.
At Fondation Cartier’s Géométries Sud, Du Mexique à la Terre de Feu, Latin American art meets European Modernism in a cacophony of colour and texture.
The Drake Equation, a series of images by Andrew Phelps and Paul Kranzler, investigates the National Radio Quiet Zone.
The three artists selected for the Photography & Digital Art section of this year’s Aesthetica Art Prize show how image-making makes sense of the world.
Radical Women: Latin American Art, 1960—1985, examines the convergence between political and aesthetic upheaval during extraordinary decades.
Next month, the inaugural Riga International Biennial of Contemporary Art brings together artwork from the Baltic region and beyond.
Looking at the techniques of darkroom photography, an exhibition at Harvard Art Museums comprises 90 printer’s proofs.
“The tree can be seen as a metaphor for migration.” A recent publication by Hatje Cantz tracks the work of Yan Wang Preston.
Continually shifting in the face of change, fashion photographers are chroniclers of our times. A show at J. Paul Getty Museum exemplifies this.
