AAP: Creating Connections
Griselda Goldsbrough draws upon the works in this year’s Art Prize to explore the different ways in which we can benefit from connecting with the arts.
Griselda Goldsbrough draws upon the works in this year’s Art Prize to explore the different ways in which we can benefit from connecting with the arts.
For the weekend of 9-11 June, we delve into the theme of motion and transition with work by Rinko Kawauchi, Alexander Calder and Chiharu Shiota.
Choreographer and director Wayne McGregor curates a major new series at the Roundhouse this summer, as part of Bloomberg Summer.
Our 5 To See for 2-4 June brings us into the summer season: The Whitworth challenges borders and Sprüth Magers rejoices in a dynamic flurry of light.
Artist Victoria Lucas draws inspiration from JG Ballard’s Concrete Island in a show that interrogates the constructs of culture and gender representation.
Our June / July issue considers the current state of flux; in this age of digital alienation, it’s important to make time for reflection.
The London-based company explores how dance can bring emotion to science with ITS new piece 8 Minutes, showcased at Sadler’s Wells.
Griselda Goldsbrough leads an informative tour identifying themes in the Aesthetica Art Prize Exhibition from 12:30 on 8 June at York Art Gallery.
The fifth Aesthetica Art Prize Exhibition opens on 26 May and continues until 10 September, presenting innovative works by 16 international artists.
On the first day of the Aesthetica Art Prize Exhibition, there is a unique opportunity to hear directly from a selection of shortlisted artists.
Anne-Marie Creamer’s Treatment for Six Characters is part of the Aesthetica Art Prize Longlist. See this work at York Art Gallery from 26 May.
The Edinburgh International Festival reveals its 2017 International Festival Portraits series: a collection of intimately filmed interviews with six artists.
Eunhyung Kim’s Street is part of the Aesthetica Art Prize Longlist. The film is screened at York Art Gallery from 26 May coinciding with Future Now.
Cities have become a malleable arena for artists; Jasmina Cibic’s Tear Down and Rebuild was shot in the former Palace of the Federation in Belgrade.
Art can connect people from a variety of cultures, backgrounds and socio-economic situations. This is called upon as one of the topics at Future Now 2017.
On Kawara’s One Million Years (Reading) opens at Venice Biennale 2017, calling upon volunteers to gather and list dates from the future and the past.
This summer the Barbican Centre celebrates the history and ingenuity of Science Fiction across the disciplines of art, design, film and literature.
The US Pavilion Exhibition, Tomorrow is Another Day, signals the debut of a six-year collaboration between Mark Bradford and Rio Terà dei Pensieri.
This year sees Frieze New York host a collection of ambitious presentations from leading international contemporary and 20th century art galleries.
