A Universal History of Infamy, an ongoing multisite show, presents an examination of the relationship between Latin America and the wider US.

Moldova is the focus of a new exhibition at Fotografiska, Stockholm, which presents the work of award-winning photo-journalist Åsa Sjöström.

Natalie Christensen’s 25-year career as a psychotherapist informs her practice as an artist; each image reflects deeper conceptual thoughts.

Terminus, a recent series by Mark Steinmetz, examines the pubic and private moments that occur within and around aerodromes.

Part of a generation racked by hyperactivity, Tina Barney captures the details of north eastern, suburban America.

Exhibitions running 20-21 January offer viewers the opportunity to reflect on the modern world, building platforms for introspection.

The work of 19th century visionaries is the starting point for a new show at Foam, Amsterdam, which links photography’s inception with the modern day.

In an accelerating landscape, fresh ways of understanding the world become important. Bloomberg New Contemporaries offers insight.

YSP has consistently positioned itself within the arena of creative social change, a notion continued in a collection that, quite simply, makes a difference.

In an age of gratuitous image editing and fake news, it is hard to distinguish artificiality from reality. Alex Prager investigates this confusion.

The way society consumes information is shifting. MACK foregrounds the enduring conceptual importance and materiality of their volumes.

Façades are designed to conceal hidden realities. Exhibitions running 13-14 January construct and dissect exteriors to investigate such illusions.

The term “soft power” is used to described how political rhetoric is deployed through culture. Jasmina Cibic examines this rhetoric.

Jon Setter’s images feature geometric fragments, eradicating all structural complexities and conveying a simplified, poetic expression of surrounding spaces.

Liverpool is undergoing a period of urban transformation. Tom Wood commemorates an integral part of the community’s quotidian.

In 1951, Elliot Erwitt was drafted into the US Army. Carrying a Leica camera, the practitioner began crafting an enduring legacy.

The Sahara Desert is the largest hot desert in the world. Magnum photographers respond to its harsh terrain and sublime landscape.

Dino Kuznik’s images offer a psychological plane of reflection and organisation, which rely on simplicity, and at times, humour.

Focusing on hazy, in-between spaces, Andria Darius Pancrazi’s works blend between light and darkness through pastel skylines and clean structures.

Born and based in the Midwest,  Michael McCluskey explores truth in overlooked places and uncovers hidden layers in the mundane.