The Allotment is an innovative social space within a living development. It provides a unique way to link the residents through communal spaces.

Morecambe Bay, Joanna Cummings’ hometown, is an area suffering from poverty. Her project was designed to benefit the community.

Haydon takes a multi-disciplinary and integral approach to the creative arts. Her final piece is as much about the final project as it is the materials.

Having lived with violence and trauma, Joseph has been inspired to present the connections between family and a physical, lived experience.

Aslam’s final project involved creating the visual branding for a Pakistani Film Festival researching and influenced by the the history of cinema in Pakistan.

For Mirabel Hammond, lockdown, self-isolation and the further steps of quarantine have presented the challenge of finding alternative ways to produce work.

Millie Grover has been inspired by marine life and underwater worlds – constantly changing environments that offer unique natural patterns.

Tomasik has embarked on an exploration of memory and dream state, trying to capture the ephemeral sensation of falling asleep.

Josie Leech’s final project comprises a set design based around the topic of Scoliosis – a condition which the artist lives with every day.

For his final major project, Jamie Woods looked at the area of “new masculinity” and how it’s an ever-changing idea of contemporary society.

Freya Bell’s final fashion collection connects with the human condition, looking at how clothes identify with experiences beyond our recognition.

Elsa Barnitt works across drawing, photography and digital media. This approach allows Barnitt to investigate a particular theme in a variety of ways.

Connor Smith’s project explores sound and how it can inspire the creation of different images. The Covid-19 lockdown gave him a new direction.

It is common for people to have public and private personas. Ben Woodcock believes this often inhibits the entire understanding of a person.

Alice Horsley’s work examines the way that dress codes are used as a form of oppression and control, as well as the effects of blame culture.

King’s work is underpinned by a belief that beauty of a product is in the design of not only its outward appearance, but also the design considerations within.

Sophie McGoldrick’s graduate collection explores the potential of materials, pushing them to their limits to discover new and surface qualities.

Hannah Dolden explores bright and tactile soft furnishings, using cotton and elastic yarns to experiment with texture, shape and form.

Gemma Singleton explores how visuals can replicate the experience of a bio-organic world, through the duplication of plantlife or bodies of water.

Francesca Gillett focuses on the craftsmanship used in the Victorian era, combined with an analysis of nature and tropical shapes in the 21st century.