With eye-catching colours and striking staging, Mous Lamrabat creates parallel worlds bursting with humour, empathy and playful irreverence.

What happens when we apply Colour Field to the contemporary world? How are emulsion techniques transformed when subject to digital rendering?

PHotoEspaña returns with 96 exhibitions and over 300 photographers who reflect on timely and relevant themes –from gender to the environment.

Musical Thinking explores the powerful resonances between video art, audio and popular culture, with 29 stimulating time-based artworks.

This August, Powerhouse Museum presents a programme that features Rafael Lozano-Hemmer’s climate, science and technology-focused installation.

Here are five photographers who engage with ideas of truth and fiction – presenting heightening visions of landscapes and cities through skilful techniques.

Baltic’s most recent retrospective is one of the most comprehensive surveys of Chris Killip’s iconic documentary photography to launch to date.

Kew Gardens celebrates the power of trees by showcasing an array of spectacular outdoor installations across its 535-acre Wakehurst site.

“Less is bore.” Architect, Robert Venturi’s iconic quote summarises the essence of Postmodern architecture. Here, we present buildings to note.

Full Burn showcases the potential of lens-based media, immersing attendees in exciting new worlds, from virtual chat rooms to the forests of Taiwan.

Margeaux Walter’s fun, humorous self-portraits bring joy whilst responding to, and reflecting on, complex ways humans interact with landscapes.

Dublin-based Sarah Doyle harnesses bright colours and experimental shapes as a way of travelling to and inventing vast new horizons.

Brazilian image-maker Gleeson Paulino brings an evocative collection of pictures: a dreamlike chronicle about, and ode to, his native country.

Colour is tied up with the architecture of power and control. Kapwani Kiwanga shows us how, in aesthetically pleasing, immersive installations.

Origami boats sail through seas of paper-cut leaves in JeeYoung Lee’s constructed studio scenes, acting as windows to an inner world.

We Need Colour is satisfying in its visual style and co-ordination: eyeshadows, backgrounds clothing and props are all carefully matched.

Maria Leonardo Cabrita imagines the discovery of a lost cosmos found in-between the Sun and Mercury, filled with neon skies and rising steam.

Media representations of Africa are all too often based on clichéd views. Aïda Muluneh is pushing past these narratives with her surreal storytelling.

A landmark show tracks humanity’s 21st century story, drawing attention to photo artists who are portraying the impact of industry on the Earth.

Storytelling is how we recall the past and imagine possible futures. This issue is about reflection and memory, tracking complex systems across the world.