Dublin-based Sarah Doyle harnesses bright colours and experimental shapes as a way of travelling to and inventing vast new horizons.
This article appears in full in the current issue of Aesthetica Magazine.
Click here to order the new issue.
Christopher Williams’s ascetic aesthetic mode is the subject of a traveling mid-career retrospective, The Production Line of Happiness, on view at Whitechapel Gallery, London, until the end of June.
A dreamlike collaboration project with creative director Daphne Westland, spatial designers Visual Citizens and photographer Carlfried Verwaayen.
Through changing environments, Bethany Murray’s photographic compositions explore the female body and its larger place in constructing identity.