Intentional Decomposition
Alex Hartley questions the conventional qualities of the present and the expectations that construct contemporary life at Victoria Miro gallery, London.
Alex Hartley questions the conventional qualities of the present and the expectations that construct contemporary life at Victoria Miro gallery, London.
Délio Jasse’s previously unseen body of work comes together in a solo exhibition, The Lost Chapter: Nampula, 1963 at London’s Tiwani Contemporary.
A new exhibition of renowned architect Zaha Hadid (1950-2016) showcases not only a practice as a structural designer, but also reveals her work created as an artist.
Jonathan Anderson considers ways in which the human form has been reconceived by artists and designers from at the Hepworth Wakefield, this Autumn.
Taking domestic settings as a focus, Gregory Crewdson is a master of conceptual narratives played out within the environs of the everyday.
Published alongside the exhibition at YSP, and in association with Galerie Thaddeus Ropac, a new catalogue contextualises the figure.
Fred Herzog | Modern Color surveys the life and work of the the Canadian artist, one of the most known figures for his unusual use of colour in the 1950s and 1960s.
New York artist and filmmaker, Lucy Raven (b.1977), is at Serpentine Gallery, London, exploring what happens behind the camera and in-between frames.
This year’s second edition of world-leading museum conference, Communicating the Museum proved one of the most interdisciplinary yet.
Pace London has announced American Classics, an exhibition of key works from photographers who emerged in post-war America.
Foam, Amsterdam, presents Melanie Banjo’s first major solo exhibition until 7 December, centred around the absurdities within the human experience.
Electrolux at the Modern Institute, Glasgow, marks Lambie’s sixth solo exhibition with a new collection that recontextualises objects.
Acclaimed British sculptor, painter and ceramicist Bruce McLean is at Bernard Jacobson Gallery, London, charting an acclaimed and versatile career.
The work of American photographer Lee Friedlander, is at Galerie Thomas Zander, Cologne, featuring pieces taken over the course of the past five decades.
YSP hosts a collaborative exhibition by artist and academic, Nishat Awan. Migrant Narratives of Citizenship traces the route of the refugee crisis.
The Lynn Painter-Stainers Prize was created to encourage representational painting. We speak to Emma Copley, who was selected for the 2016 exhibition.
Why do we need art? The Museum of Old and New Art, Tasmania, puts this question into conversation in their thought-provoking show On the Origin of Art.
What do, and will, we remember of art? What of art in public places? What are biennials for – a small, inclusive elite, or the people of the cities that house them?
The artist comes to Galerie Thomas Zander, Cologne. A selection of new dye transfer prints are juxtaposed with recent large-scale colour images of interiors.
