Maxïmo Park
With a world tour well underway and their latest album receiving critical and popular acclaim, Maximo Park are battling to keep their feet on the ground.
With a world tour well underway and their latest album receiving critical and popular acclaim, Maximo Park are battling to keep their feet on the ground.
For over forty years, director Ken Loach has been bringing realistic portrayals of modern day social and political situations to our screens.
“People are far more interested in sound now, but they still don’t really know what we do.” Eddy Joseph was part of the team that won a BAFTA for Casino Royale.
In 2007, Film 4 supported British music in their films: This is England, Hallam Foe, Brothers of the Head and Joe Strummer: The Future is Unwritten.
The public conception of a “circus” today lies somewhere between the extravagant showpieces of Cirque du Soleil, and childhood memories of clowns and tigers.
In Waterlog, seven British artists have interpreted the water-drenched landscape of Norwich, taking their cues from WB Sebald’s The Rings of Saturn.
With an impressive collection of projects behind her, including computer game Get Away: Black Monday, and short film Liar, China Moo-Young shows no indication of slowing down.
Margaret Salmon is an American-born photographer and filmmaker, who set trends in the UK with her exhibition at the Whitechapel Art Gallery, London in 2007.
The idea of a caravan gallery is a bit of a dichotomy, yet has succeeded beyond the wildest dreams of its creators, Jan Williams and Chris Teasdale.
The Wellcome Collection was the first venue of its kind in the UK, providing radical insights into wellbeing and the human condition.
There’s an appealing innocence to both Miller’s paintings and her enthusiasm as she chats from her Aberdeenshire studio across a thin, crackling line.
Scrutinizing the fabric of contemporary culture to reveal the fragility of the notions of society, ethnicity, and identity: this is the essence of Reza Aramesh.
While the music world becomes ever more dependant on its sampler and keyboard for kicks, Lisa Lindley-Jones has decided to step away from electro-pop.
James Baldwin once stated, “The power to define the other seals one’s definition of oneself – who, then, in such a fearful mathematic is trapped?”