Holly Jo Crowhurst
Holly Jo Crowhurst graduate collection is historically inspired and focuses on the real story of mariner Michael Greenwood (1731–1812).
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Holly Jo Crowhurst graduate collection is historically inspired and focuses on the real story of mariner Michael Greenwood (1731–1812).
Cerbah’s collection is an exploration of the North African nomadic Amazigh tribe, combined with the designer’s personal penchant for animal print.
Wen-Yi Yap wants to teach young children how important it is to keep the planet clean, but not in a daunting and overwhelming way.
Naddy Mizan’s work looks at the rising seawater temperatures which cause coral to ‘glow’. “I am keen to capture the beauty of what we may lose.”
Graphic designer Alicia Latham’s children’s storybook, Someone’s Bad Hair Day, stems from personal experience as a woman of colour.
Tom Clayson’s graphic design project was inspired by The Vanishing at the Cecil Hotel, about a woman who mysteriously disappeared.
Hollie Phillips’ bold, explicit and sometimes disturbing collection challenges the traditional idea of embroidery as a ‘feminine pastime.’
Digital illustrator Jude Gibbs finds inspiration in nature, plants and animals. The artist created a children’s graphic novel exploring kindness.
Aryana Deen has a passion for image-making and various illustrative techniques. Key pieces in this showcase are focused on narrative storytelling.
Fernandez’s work is about important people from the past: those who were forgotten by history despite doing something significant for the world.
50% of the Great Barrier Reef is dead. Illustrator Lucy Munt decided to take action towards helping to protect the coral reefs from destruction.
Bradley Beckett’s graphic design project depicts a voyage of self-healing and self-discovery during a period of uncertainty and mental health issues.
“Humans are widely regarded as human because they are controlled by their emotions.” Grace Anderson ask questions about machine intellect.
Playful Apparel is a genderless children’s wear collection created by Annie Matthews-Bruce. The clothing was inspired by toys and play.
Hickman’s cushions, chair covers and blankets were influenced by collections of artefacts: prized possessions accumulated over time.
Lizzie Lovell is driven by the desire to deliver compelling responses to the landscape, especially those surrounding the artist’s hometown.
Ellie Thomas’ Remote series captures images of young dancers who have been forced to train within their homes due to lockdown.
Boys by Mu is a visual response by photographer Muriel Lagoutte to conversations about masculinity. See more here.
Hao Fu uses photography to explore their hometown of Harbin in China. “The city has transformed into a lonely, ordinary, abandoned space.”