For its summer exhibition, the Robin Rice Gallery, New York, opens Summertime Salon, an annual photography exhibit featuring both gallery artists and a selection of newcomers.

The majority of Patrick Caulfield’s work sees his gaze turned towards the croissant-and-orange-juice world of 60s, 70s and 80s pan-European glamour. At Tate from 5 June until 1 September.

Graduating from The Ruskin in 2012, Natasha Peel has gone on to present works at Saatchi Gallery. Peel speaks to Aesthetica about the benefits of studying art and her interest in malleable materials.

Sculpture in the City shows works by Robert Indiana, Jake & Dinos Chapman, Antony Gormley, Keith Coventry, Richard Wentworth, Shirazeh Houshiary, Jim Lambie and Ryan Gander across London.

Upon entering the light-filled Shoreditch art gallery, the visitor is welcomed by a vibrant display of canvases painted in bold colours, whose imaginary characters roam an array of whimsical landscapes.

Fellini – The Exhibition expands the influential filmmaker’s universe and uncovers the sources of his fertile imagination. 20 years after his death, EYE, Amsterdam opens this show on 30 June.

Vadim Zakharov’s Danaë at the Venice Biennale represents the first time in the history of the Russian pavilion that the upper and lower storeys have been combined into a single installation.

This year sees innovative company, Secret Cinema, providing a boundary-pushing venture for five fruitful years, which fully immerses the audience into the world of a film. We speak to Fabien Riggall.

The RA Schools Show, the annual exhibition of works by final year students, opens tomorrow. Held in the RA’s studio spaces, the event sees students present works developed over a three-year period.

Renowned for his multi-media works, Haroon Mirza has taken over the adjacent Galleries 1 and 10 at The Hepworth. He brings together and assembles works constructed of sound, image and objects.

The 66th British Academy Film Awards announced Searching for Sugar Man as the Best Documentary of the Year. It is a touching and highly-emotional documentary by Malik Bendjelloul.

Situated away from the main exhibition space of the Giardini and Arsenale, the Icelandic pavilion sits in the tranquil gardens of Palazzo Zenobio along a quiet canal-front street at the Venice Biennale.

Below the sleepy streets of Verona, sits the International Centre of Photography. It is here where a breath taking transcendental retrospective of René Burri is revealed until 22 September.

Whole in the Wall is the first UK solo exhibition by Palestinian artist Khaled Jarrar. Running from 20 June at Ayyam Gallery, the showcase of work includes a new site-specific participatory installation.

Jonny Briggs graduated from the Royal College of Art several years ago and has since gone on to feature in numerous solo and group exhibitions. Briggs speaks to Aesthetica about the influence of the RCA.

The Danish pavilion at the Venice Biennale stands as a rather desolate figure among the well-tended buildings surrounding it. The apparent entrance is a door that stands permanently shut and unattended.

Paper Weight Genre-defining Magazines 2000 to Now takes a refreshing look at independent publishing in the 21st century. Opening today, the show runs until 27 October at Haus der Kunst.

Darwin’s epochal observation at the close of The Origin of Species (1859) might aptly describe artist Katie Paterson’s theme and agenda in her latest exhibition, at Kettle’s Yard in Cambridge.

Love Me Love Me Not offers an insight into the rich and varied cultures of the countries represented. Running at the Venice Biennale until November, the showcase collates the work of 17 artists.

Staged as part of this year’s London Literature Festival, Ute Lemper Sings Pablo Neruda was a fantastic concert dedicated to the memory of Pablo Neruda, one of the masters of Chilean poetry.

The RA Schools Show, the annual exhibition of works by final year students, will open on 19 June at the iconic Royal Academy Schools. The show is held in the historic studio spaces of the Schools.

This summer FACT combines art and politics in Turning FACT inside Out. Running from 13 June, the show explores aspects of environment, architecture, capitalism and augmented reality.

York Theatre Royal’s TakeOver Festival is certainly to be admired. A performing arts festival programmed and run by young people, it succeeds in bringing compelling, often lesser known works to the fore.

Since her success at the Edinburgh International Film Festival for her first directional feature debut; Flying Blind, Polish director Katarzyna Klimkiewicz’s is creating a stir in the film world.

Tapa – Barkcloth paintings from the Pacific, proposes a curious offering for a contemporary site. A timeless partnership, which transgresses history and the furthest reaches of the globe, is formed.

Scripted and produced by members of Orange Tree Theatre’s Writers Group, which nurtures the talents of professional playwrights, Unrivalled Landscape comprises six new short plays.

Aesthetica speaks to Gilad Ratman, currently representing Israel at the Venice Biennale about politics, narratives and his project for the event. The Workshop is a five-channel video installation.

Artist Tavares Strachen talks to Aesthetica about science, the North Pole and the desire to fit in. Entitled Polar Eclipse, the Pavilion for the Bahamas makes for a rich, multi-sensory experience.

Born and bred in Zurich, Play Hunter is an artist, author and creative entrepreneur. Studying Fine Arts at Saint Martins College of Art, London, Hunter set up her website Playlust back in 2007.

Asymmetrical Cinema is a fitting title for the unsettling cacophony of noise and image currently on show at Beaconsfield. The exhibition is curated by Dale Holmes and Kirsten Cooke.

The man who made a name for himself by painting hospital doors has come a long way with a very simple formula: gloss paint in bold, treading a line between abstraction and figuration.

The British Pavilion at the Venice Biennale, English Magic, by artist Jeremy Deller is about as quintessentially English as they come. The building cuts an imposing edifice within the Giardini.

Returning to Earls Court Exhibition Centre for its fourth edition, PINTA offers visitors the chance to view and purchase work by eminent artists from South America, Spain and Portugal.

For 2013, PHotoEspaña expands its programme as it opens 74 exhibitions and activities in Madrid, Alcalá de Henares, Alcobendas, Cuenca, Lanzarote and Zaragoza. Running 5 June until 28 July.

The exhibition Who is Alice? brings together works by a range of Korea’s most significant contemporary artists, of whom there is currently an abundance, both within and outside of Korea itself.

Presented on a series of trestle tables and shelves punctuated by black chalkboard panels A Book is A Performance at Centrespace displays a broad selection of artists’ editions and multiples.

The Workshop comprises a five-channel installation by Gilad Ratman. The piece interacts with the pavilion’s architectural structure to create a work that draws the viewer along on a narrative journey.

At Aesthetica we like to keep an eye on emerging artists, and one of the best ways to do that is to take note of the numerous degree shows open this summer. Here are our 10 favourite shows to see.

Tomorrow is the last day to see Polaroid Factory at Printhouse Gallery. The series is a collection of photographic images made at one of the world’s last production facilities of traditional instant film.

The Africa Channel presents a unique and insightful view of contemporary African art, in its new series, African Masters. Audiences will go on a visually stunning journey across the globe.

Curiosity: Art and the Pleasures of Knowing, an exhibition curated by UK editor of Cabinet magazine, Brian Dillon, has transformed Turner Contemporary into a labyrinthian cabinet of sorts.

Directed by Lukas Demgenski and produced by Valerie Hanson, Notes from the Underground is a 10 minute documentary on the people who run the London underground system.

Constantly jumping between synths and heavy drumbeats, Chapel Club’s second album Good Together doesn’t disappoint, particularly if you loved the first album.

Transforming everyday objects into vibrant constructs, Michael Craig-Martin has shaped the artistic landscape of Britain, both through his own work and his influence on other practitioners.

Each year photographers from around the world participate in the World Press Photo Contest, and the results are nothing short of magnificent.

Polish director Katarzyna Klimkiewicz is clearly on the ascendant; her debut feature, Flying Blind, is about as human and intelligent as they come.

Following successfully in the footsteps of such masters as Yasujiro Ozu, Hirokazu Kore-eda rejects action and relentless pace in favour of quiet family drama.

Taking its name from notorious 1890s graphic design periodical The Yellow Book, The Purple Book presents a lavish marriage of art and literature.

Samaris is an unusual combination of clarinet, electronica and vocals. In the broadest sense, the music is down-tempo techno, possessing an otherworldly charm.

Serving up sounds from a wide-ranging palette, one of Wampire’s stand-out strengths is the fact that their music is nearly impossible to categorise.