Blending the past with contemporary contexts, Dave Weindorf’s work offers a sense of conceptual and compositional movement.

A new collaborative project between FUJIFILM and Magnum Photos investigates the global sentiment of home.

An exhibition foregrounds work by a series of photographers who engage both poetically and visually with notions of reality and space.

A focus on light, colour and composition defines pioneering colour photographer Harry Gruyaert’s oeuvre.

From March, a more intimate retrospective of Yayoi Kusama, 2014’s most popular artist, is on show at Omer Tiroche Gallery, London.

New Museum’s 2018 Triennial, Songs for Sabotage, investigates the constructed networks that define the landscape.

Thomas Schüpping’s panoramic landscapes offer dialogues between civilisations and the environment, investigating human impact.

The post-industrial landscape of northern England forms the inspiration for Theo Simpson’s innovative blend of photography, sculpture and installation.

An exhibition of contemporary photography from Africa and the diaspora highlights creative and cultural diversity.

A new volume from Hatje Cantz brings together visual essays exploring the cultural and social landscape of Berlin.

Maroesjka Lavigne records remote corners of the earth, capturing the beauty of desolate landscapes. Her work is at PHOTOFAIRS San Francisco.

The Jerwood Visual Arts Photoworks Awards exhibition showcases work from emerging practitioners, including Sam Laughlin.

The Diner is a celebration of a uniquely American design trope, evoking the mythology of the great US road trip whilst providing a functional space.

Surrounded by a tumultuous climate, Turkish-born photographer Fatma Bucak channels her Kurdish history through an exhibition at Fondazione Merz.

During the final weekend of New Orleans’ triennial, Prospect 4 will be answered by an unsettling echo from across the Mississippi from Kara Walker.

In a fast-paced world, time is valuable. In answer to this, Design Shanghai foregrounds simple and innovative solutions.

A new data-driven artwork by Aesthetica Art Prize artist Henry Driver is showcased as part of Collusion’s Bury St Edmunds project.

Abbie Trayler-Smith’s After Darkness records the aftermath of conflict in Mosul by documenting the region’s people and places.

Showcasing the intricacies of architecture alongside contemporary photography, the city is awoken by annual outdoor festival Jaipur Photo.

The fourth edition of Photo London stages the past, present and future of the experimental medium which dominates visual culture.

John Sypal’s Zuisha series is led by the lens, using the camera as tool for creating painterly, automatic compositions.

In a culture defined by a continual stream of news, it is easy to become detached. The nominated projects reveal a human perspective.

Since 2011, Luca Tombolini has been drum scanning and printing on large scale prints, creating real-life scenes taken from long solo trips in remote areas.

New photography festival Duesseldorf Photo 2018​ brings together a multiplicity of exhibitions and events. Expanding the boundaries of the medium, the event explores the past…

“I chose to use photography as a time machine.” A new exhibition tracks Hiroshi Sugimoto’s interest in the ancient past.

Peter Brown and Joe Holley’s book, Hometown Texas, explores the landscape and inhabitants of the vast region.

Two major works by pioneering video artist Bill Viola investigate the element of water, using it as a metaphor to understand the human condition.

Holden Luntz Gallery’s Constructed Space exhibition features the work of Aesthetica Art Prize alumnus André Lichtenberg.

Around 95 million images are shared on Instagram daily. Shows running 17-18 February examine photography’s revolutionary potential.

Marking a first in digital public art, striking Virtual Reality drawings made by multidisciplinary artist Nancy Baker Cahill are displayed on the huge digital billboards…

As part of Duesseldorf Photo Weekend, Lausberg Contemporary foregrounds work by David Burdeny, who captures sublime landscapes.

Juno Calypso invites viewers to become participants in an immersive installation, escaping from reality and into a cyber landscape based on western ideals.

Attila Olah is a Liverpool Hope University graduate whose practice revolves around symbolism, manipulating forms and pushing the boundaries of ceramics and ice sculpture.

The creative landscape is constantly expanding to welcome new approaches. The Armory Show offers opportunities for dialogue and discovery.

Scottish photographer Albert Watson is known for a bold oeuvre comprising striking fashion and commercial images.

Watching You, Watching Me at BOZAR, Brussels, explores the intersection between public and private realms.

Two new projects from Christ and Gantenbein add to Switzerland’s landscape with an appealing mix of structural assurance and environmental sensibility.

At the age of 21, Jacob Riis arrived in New York, becoming preoccupied with documenting and improving living conditions.

Hirshhorn Museum and Sculpture Garden explores the iconic artistic landscape of the 1980s through a collection of subversive works.

New work by Marietta Varga, part of our #newartists initiative on Instagram, recalls nostalgic moments from childhood.

United Photo Industries, Brooklyn, foregrounds work by Aesthetica Art Prize alumnus Claire Rosen, offering a twist on classical painting.

Kunsthalle Krems foregrounds photographic work by Axel Hütte, offering dialogues between the artist’s older and more recent contributions.

Zanele Muholi’s Somnyama Ngonyama questions the politics of race and representation through a series of bold, self-referential portraits.

Paul Biddle is an award-winning surrealist photographer who often makes use of found objects, or photographs of objects from museums.

Ikon Gallery, Birmingham, marks the 40th anniversary of artistic partnership Langlands & Bell with an exhibition of new works.

Championing new artistic voices is increasingly important. The Foam Paul Huf Award celebrates emerging talent within the photographic realm.

Eva Rothschild’s abstract, large-scale pieces, inspired by 1960s and 1970s minimalism, comprise unstable geometric forms.

Finding beauty in simplicity, Branko Goncalves finds inspiration within the digital realm and building upon everyday image-making as a reflective medium. 

Anna Lehmann-Brauns’ seemingly staged compositions, devoid of human presence, bridge the divide between reality and fiction.

During a five year period spent travelling across Germany, Peter Bialobrzeski captured around 30,000 photographs.