A new exhibition at Yossi Milo Gallery foregrounds work by West-African portrait photographer Sanlé Sory.

Images by emerging fashion photographer Erik Madigan Heck feature a strong use of colour, pattern and form.

Perspective Office is a new sustainable building designed by Slash Architects, an award-winning firm that works with a holistic approach.

A testament to the interdisciplinary nature of photography, Kate Ballis creates unique, colour-drenched images using infrared technology.

UK brand SMARTBUNCH launches the world’s first eco-friendly modular light bulb, a design offering flexibility and simplicity,

Francesca Canepa rallies against fast fashion. She discusses her new collection, one which translates Japanese tradition into minimalist draping.

An exhibition explores the relationship between the Norwegian landscape and contemporary art, revealing inspiring motifs.

The Hayward Gallery has reopened post-refurbishment with a prodigious exhibition by German photographer Andreas Gursky.

In an ever-quickening urban landscape, Steve Macleod’s new series offers a serene alternative; a true vision of wilderness.

Offering a critical look at major gallery collections, Hello World questions a primarily Western focus to provide new perspectives.

A collaboration between photographer Parker Day and Polaroid Originals marks the launch of a new 1996 custom vintage camera.

Structurally complex and intricately designed, these unique pieces call upon environmental consideration. Through the inspiration of natural forms, glass is transformed as a material through which to re-enliven Art Nouveau.

What does it mean to be an outsider? This summer, High Museum, Atlanta, shows work by practitioners who have come from non-traditional backgrounds

The Aesthetica Art Prize is a celebration of emerging and established artists. The 12 shortlisted works define a new vocabulary for life in the 21st century. 

Drawing on the duo’s ethos of looking beyond expectations, a new book from Phaidon tells the story of Snarkitecture’s rise within the industry.

The April / May edition captures the zeitgeist of our times. We look at how the world is developing and how art and design are commenting on that.

London-based Ming Lu is a multidisciplinary artist who combines contemporary techniques with an examination of social and cultural expectations.

Moving into April, exhibitions reflect on notions of place and time, offering new perspectives on an ever-changing world.

A large scale sculptural installation by Philip K. Smith III in collaboration with COS opens during international design fair Salone del Mobile.

JUCO return to Aesthetica with characteristically bold images that demonstrate excellence in art direction and photography.

A catalogue of the sublime everyday, Tekla Evelina Severin’s collection focuses on intimate, stylised instances and communicates a sense of joy.

Focusing on tropical motifs and idealistic landscapes, Adrienne Raquel’s works are playful and vibrant, communicating a sense of nostalgia.

Deeply mystical and ritualistic, Alexis Pichot’s series Marche Céleste establishes the supremacy of nature as a powerful, universal and innate force.

A Berlin-based studio brings bioplastic into the fashion industry by experimenting with plant-based processes to address the issue of waste.

Salvador Cueva’s images have been acclaimed for their representations of time and memory in the urbanised, almost ornamental metropolis.

Looking at the idea of social community as a model for idea generation,  a team of Norwegian designers address global concerns through production.

Profiling the announcement of the annual awards through a celebration of structural excellence that pushes beyond aesthetics and functionality.

Shot largely on the same set of beaches in Portugal over two years, The Accidental Theorist depicts a series of instances that are devoid of explanation.

Circulation(s) returns for 2018, showcasing the imaginations of emerging photographers that touch upon wider social and political issues.

Spiral Scratch, a site-specific public art installation creates a kaleidoscopic arena of colour, line and form.

Addressing issues of exposure, Whitechapel Gallery in partnership with Collezione Maramotti present the annual Max Mara Art Prize for Women.

Bridging the boundaries between art, culture and philosophy, HowTheLightGetsIn Festival makes sense of the world through a diverse progamme.

Michael Pinksy’s innovative Pollution Pods recreate the air in London, Beijing, São Paulo, New Delhi and Tautra, Norway.

Talisman in the Age of Difference at Stephen Friedman Gallery brings together works by artists of African origin and its diaspora.

Foam Talent: New York unites 20 international image-makers, plotting the next chapter for the creation, interaction and circulation of photography.

Working primarily in staged self-portraiture, Maher is widely known for obscuring the faces of her subjects, using symbol and colour to convey emotion and narrative.

Darn Thorn’s series, Aggiornamento, offers an idealised, modernist vision of Ireland through the architectural structures of the 1960s.

Doug Aitken’s first video installation in 10 years, New Era, tracks the reflections of Martin Cooper, inventor of the mobile phone.

Daniel Webb collected all the plastic used in a year – around 4500 pieces, of which 93% wass single-use packaging.

Highlighting functionality over complex shapes and unnecessary materials, Embodiment, published by Phaidon examines the portfolio of Naoto Fukasawa.

Antony Gormley is known for an interest in the spatial relationships between human bodies and the surrounding landscape.

Giacomo Infantino’s work uses staged scenes to evoke intimate and personalised narratives. The featured images outline places in Varese.

Future Now provides an imaginative platform for attendees to consider the arts ecosystem within a broader social, political and professional context.

The top picks for 24-25 March engage with art history, reinventing traditional approaches through photography and installation.

Work by Nathaniel Rackowe examines the changing nature of the built environment, reflecting on the life cycles of urban dwellings.

Work by James Casebere features as part of an exhibition exploring the relationship between photography and architecture.

James Turrell is internationally known for an engagement with natural and artificial light sources, expanding the boundaries of perception.

Smithsonian American Art Museum, Washington DC, offers an incredibly idiosyncratic installation – a trip down Do Ho Suh’s memory lane.

Marian Goodman Gallery, Paris, revisits Ettore Spalletti’s monochromatic, minimalist panels with What is the most profound in a man, is the skin.

Practitioners featured at The Other Art Fair explore and subvert the everyday through new and surprising methods.