Captured From Above
The history of aerial image-making can be traced to the mid-19th century. Michal Zahornacky reduces man-made structures to lines, curves and colours.
The history of aerial image-making can be traced to the mid-19th century. Michal Zahornacky reduces man-made structures to lines, curves and colours.
London Art Fair’s contemporary photography show returns, foregrounding artists who engage with Black and diasporic heritage through the lens.
“What does it mean to collect and exhibit?” This is the starting point for a group show that contemplates the role of galleries and museums.
Past and present collide in Omar Victor Diop’s work. The Senegalese photographer takes cues from western portraits to portray Black pioneers.
Nothing is quite what it seems in the work of Frank Kunert. The model maker and photographer’s studio images depict settings that are slightly askew.
Vision is not universal, but instead deeply personal and subjective. Wellcome Collection presents 140 objects for visitors to view, touch and explore.
What constitutes a photograph? Is it the moment the image is captured? Or the interactions that informed it? Elle Pérez focuses on the space in between.
Teresa Freitas is a Portuguese photographer whose soft yet vibrant images experiment with the psychology of pastels, evoking calm, peace and ease.
In Tamara Dean’s exquisitely performative images, humans are not simply living in harmony with the environment, but seamlessly become part of it.
Richard Mosse’s latest moving image work uses satellite imagery and a custom multispectral camera to record stark footage of dieback in the Amazon.
We’ve taken a deep dive into our Archives, finding five creatives whose works respond to – and use – emerging technologies: to critique, calm and imagine.
Anna Carey’s photographs appear to be just that: photographs. Yet with closer inspection, it becomes clear that they are actually models in miniature.
Olgaç Bozalp’s monograph, Leaving One for Another, is a timely visual documentation of migration that combines documentary with fine art.
We are living in a moment of reappraisals, with new art books surveying art and photography that challenges gendered stereotypes in visual culture.
New York-based artist KangHee Kim produces images that help us imagine brighter possibilities – away from internet rabbit holes and live feeds.
Yuni Yoshida is interested in the appearance of fruits, vegetables and flowers. “No one is the same as any other… patterns and shapes give us fresh surprises.”
A 50-year retrospective of Samuel Fosso’s approach to self-transformation – and engagement with historical legacies – inspires audiences globally.
In a new monograph, photographer Joshua K. Jackson highlights the importance of genuine connections within a socially isolated world.
The mirror is a symbol rooted in the history of art and culture. Émilie Möri, a French-Swiss photographer, works in this tradition.
