Richard Mosse’s latest moving image work uses satellite imagery and a custom multispectral camera to record stark footage of dieback in the Amazon.

We’ve taken a deep dive into our Archives, finding five creatives whose works respond to – and use – emerging technologies: to critique, calm and imagine.

Anna Carey’s photographs appear to be just that: photographs. Yet with closer inspection, it becomes clear that they are actually models in miniature.

Olgaç Bozalp’s monograph, Leaving One for Another, is a timely visual documentation of migration that combines documentary with fine art.

We are living in a moment of reappraisals, with new art books surveying art and photography that challenges gendered stereotypes in visual culture.

New York-based artist KangHee Kim produces images that help us imagine brighter possibilities – away from internet rabbit holes and live feeds.

Yuni Yoshida is interested in the appearance of fruits, vegetables and flowers. “No one is the same as any other… patterns and shapes give us fresh surprises.”

A 50-year retrospective of Samuel Fosso’s approach to self-transformation – and engagement with historical legacies – inspires audiences globally.

In a new monograph, photographer Joshua K. Jackson highlights the importance of genuine connections within a socially isolated world.

The mirror is a symbol rooted in the history of art and culture. Émilie Möri, a French-Swiss photographer, works in this tradition.

Swimming pool geometry translates into desolate landscapes reflecting human vulnerabilities in the work of acclaimed photographer Mária Švarbová.

Darkness is a constant presence in Liam Wong’s neon-noir photographs, which expose the quiet solitude of global nightlife and question reality.

Tyler Mitchell has pushed the boundary of fashion photography. His visions of Black utopia provide everyday moments of beauty and contemplation.

Henri Prestes investigates the calm yet ominous presence of the twilight hours in remote locations, producing cinematic and considered landscapes.

Suppen is a series of limitless creativity. Miguel Vallinas Prieto’s surreal compositions transform ordinary table settings into something magical.

Alexis Pichot’s ethereal archipelagos provide a moment of reflection amidst the constant influx of digital news, images and information.

Duo Elsa Parra and Johanna Benaïnous blur the distinctions between the photographer and subject in reconstructions of family memories.

Priscilla Ong uses assemblage in bold, colourful and often humorous displays of inanimate items, crafting new narratives from mundane materials.

David Uzochukwu’s speculative portraits reflect human identities. He is one of 75 artists invited to examine complex Afrodiasporic experiences.

Mónica Alcázar-Duarte exposes the derogatory stereotypes Mexican women are subjected to in real-world and online spaces in Second Nature.