Review of Yto Barrada: Faux Guide at Pace, London
An exhibition of new work by Yto Barrada at Pace, London, delving into her research on Moroccan fossils and dinosaurs, and exploring notions of imprint, trace and the status of archives.
An exhibition of new work by Yto Barrada at Pace, London, delving into her research on Moroccan fossils and dinosaurs, and exploring notions of imprint, trace and the status of archives.
Carolina Redondo looks to her origins in the Chilean Pucón for inspiration in her performative practice. We speak to the artist about her use of the body to explore migration and interculturality.
Tate Modern presents the first retrospective of Agnes Martin’s work since 1994, tracing her development from biomorphic abstraction to her mesmerising grid and striped canvases.
The UK’s largest annual visual art festival combines work from Edinburgh’s most prestigious galleries as well as artist-run spaces, and new commissions from emerging and established artists.
Taking its title from a line in a Robert Frost poem, America Is Hard To See at the Whitney Museum Of American Art considers more than a century of modern American art in its social context.
Australian artist Julian Day creates simple but evocative works encompassing installation, video, sound, text and performance. His piece Requiem was exhibited as part of the Aesthetica Art Prize 2015 showcase at York St Mary’s.
On view in Ikon’s small turret, the Tower Room, is filmmaker and land artist Julie Brook’s Pigment, an eight and a half minute film, shot in a cave in Namibia with three young Himba women.
One of the most enduring fashion icons of all time, Audrey Hepburn has captivated generations with her unique elegance and style. The National Gallery’s current exhibition covers her early film success to her lasting media image.
Images Moving Out Onto Space at Tate St. Ives brings together eight artists, including Bridget Riley and Liliane Lijn, with works of kinetic painting and sculpture spanning 50 years.
Gallery 268, London, presents Matt Gee: Nutri-Artifice, consisting of two bodies of work which resonate in between art and science with a visual language reminiscent of props used in a laboratory.
In a Venetian house in sight of the Giardini della Biennale, Luxembourg & Dayan presents Minjung Kim: The Light, The Shade, The Depth featuring the artist’s paintings from the past 15 years.
Multi award-winning photographer Simon Norfolk holds his third exhibition with Michael Hoppen Gallery, showing images taken between 2013 and 2014 in the war-torn Bamiyan Valley, Afghanistan.
British artist Peter Liversidge reflects on the idea of the ‘proposal’ in his conceptually-based practice, using analogue and antiquated technology to both initiate and document his artistic activities. We speak to Liversidge about new show By the Book.
Hamiltons Gallery, London, presents Polaroids, a diverse selection of colour and black and white photographs from the archive of renowned Italian fashion photographer Paolo Roversi.
The key feature of Fiona Tan’s new show is a re-imagining of the 1950s fairground attraction ‘Jonah the Giant Whale.’ Depot presents a cabinet of curiosities housed in a 71-foot long vehicle.
Phillip Prodger is Head of Photographs at the National Portrait Gallery, London. He has joined the judging panel for this year’s Aesthetica Art Prize. We speak to Prodger about his curatorial portfolio.
We interview acclaimed Magnum photographers Stuart Franklin and Mark Power, who will be leading the The Magnum Intensive Documentary Photography Course in August.
Cindy Sherman: Works from the Olbricht Collection will feature 60 photographs on view at me Collectors Room, drawn from all periods of her work to provide an overview of her entire career.
Aesthetica talks to experimental singer-songwriter Andreya Triana about her eclectic sound of soul, jazz and acoustic. Triana has collaborated with musicians Flying Lotus and Bonobo amongst others.
