Formento & Formento take the concept of street photography to the next level. The duo transform their chosen locations, which are bursting with cinematic beauty and brooding darkness.

As part of Aesthetica’s Special 60th Edition, we have partnered with London College of Communication to survey some of photography’s rising stars.

From the first images of the great metropolis to portrayals of the Midwest, a new exhibition addresses architectural photography as a window on social and economic crisis and progression.

Child’s play and the macabre world of Annette Messager appear in a retrospective exhibition at the Museum of Contemporary Art Australia.

A retrospective of the work of conceptual artist, Christopher Williams, at MoMA in New York unravels the parade of contemporary consumer culture.

Jacques Olivar combines style with storytelling, producing visually stunning works that reflect the beauty of the scenery and spin a silent tale.

Exciting times lie ahead as we move into the phase of one month left to submit your work to the Aesthetica Art Prize. Cass Art highlights this Prize as a must for artists wanting to make a significant impact upon the art world today.

Jeff Wall pioneered large-scale photography, transcending the classical into the contemporary. His critically acclaimed work, produced in the form of colour transparencies displayed in lightboxes since the 1980s, was inspired by the backlit advertisements found at bus stops in Europe.

We are delighted to present the Judging Panel for the Aesthetica Art Prize 2015. The Prize is open for submissions until 31 August 2014. Spanning the arts industries, our judges lend their expertise to support the next generation of artists.

Austrian artist Franz West was a pioneer in viewer participation. He achieved worldwide fame with his furniture and sculpture for exterior and interior spaces, and his Passstucke (Adaptives).

As Exciting As We Can Make It: Ikon in the 1980s, currently on display at Ikon Gallery is a departure from the solo and two-person exhibitions that have become synonymous with Ikon’s programme.

The Zabludowicz Collection – which celebrates its 20th anniversary this year – is presenting four solo exhibitions of sculpture, taking place simultaneously in a former Methodist chapel.

Becca Pelly-Fry is Director of Griffin Gallery and Global Artist Outreach Programme Manager for ColArt. Griffin Gallery supports emerging artists through its diverse programme of shows and its annual art prize, Griffin Art Prize.

This summer The Hepworth Wakefield presents the first reinvention of Allan Kaprow’s Yard to be realised in the UK. First installed outside the Martha Jackson Gallery back in 1961, Kaprow’s seminal “Environment”, or “Happening” will be hosted by The Calder, The Hepworth’s newest space.

The House of Illustration is not new. It launched in 2002 as a UK illustrators’ collective, spearheaded by Emma Chichester and indeed Quentin Blake himself, and has since attracted the attention of illustrators Peter Blake, Lauren Child, Sara Fanelli, David Gentleman and Jan Pienkowski.

Marian Goodman presents a selection of artists curated by other artists. Bringing together 23 artists of different ages and from various countries, Some Artists’ Artists showcases a multitude of voices.

Kazimir Malevich was one of the great innovators and explorers of European abstraction. He had a clear sense of the trajectory of style and purpose in the visual arts, and in his eyes, art had an exalted destiny in the modern world.

Following its unveiling at the Venice Art Biennale last year, Ron Arad’s Last Train makes its way to London. Ron Arad opens his Camden studio to showcase the large-scale diamond engravings created by a range of artistic collaborations.

Tatiana Rais is the Director and founding member of Espacio Odeón: Centro Cultural, a non-profit cultural centre in the heart of Bogota. She is one of the 2014 winners of the British Council Young Creative Entrepreneur Award.

London-based artist, Tom Price, heads across the ocean for his first solo exhibition in the USA. Debuting new work at The Nelson-Atkins Museum of Art, his show explores the notions of presence and absence and the idea that these two states are dependent on one another.