Palais de Tokyo, Paris, continues to enhance it’s international agenda with Inside China – L’intérieur du Géant, running alongside the major exhibition, Inside, and opening 20 October.
Lacey Contemporary, which officially launched last night, opened its doors for a sneak preview with a diverse and energetic show of painting at the end of September. The gallery, nestled in a corner of Notting Hill, is the brain child of Andrew Lacey.
The Other Art Fair places the spotlight on emerging artists and connects art lovers of all tastes and experience, directly with 130 of the most talented and unrepresented artists. It runs from 16-19 October at the Old Truman Brewery.
This retrospective, which opened at Brooklyn Museum, New York, in 2006 and has travelled across the USA and Europe, is currently in Singapore until 19 October. Singapore is the only Asian city apart from Seoul to host the show.
Frank Bowling is widely considered to be one of the most distinguished artists to emerge from post-war British art schools. Traingone features a series of Bowling’s large-scale abstract paintings, informed by the principles of mathematics.
In the second edition of the FotoFocus Biennial, a month-long celebration of photography and lens-based art in Cincinnati, Ohio, Kevin Moore has taken the modernist definition of photography and put it under the microscope.
Featuring a series of new paintings and coinciding with Frieze London, Strangers is the first U.K. exhibition by American artist Justin Adian.The title is a mediation on the transformation that occurs once the pieces have left Adian’s studio.
In the Special 60th Edition of Aesthetica we celebrate the photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars.
The Turner Prize is an annual arts event never to be missed, and this year the shortlisted artists have the added prestige of appearing at Tate Britain alongside an exhibition showcasing the work of the great J.M.W. Turner himself.
Sarah Shaw studied Fine Art at Falmouth College of Art and has since exhibited widely in the UK, her work being purchased by private collectors in both the UK and abroad. She was shortlisted for both the Saatchi and Beers-Lambert competitions and was a finalist in the National Open Art Competition.
Circa 1968 is the lynchpin of this exhibition. Made for the 2004 Whitney Biennale, it uses an image taken by Jean-Pierre Rey from Life magazine, 1968, in which Caroline de Bendern hoists the Vietnamese flag in a zeal reminiscent of Delacroix’s Liberty Leading the People.
Running alongside the contemporary art fair Frieze London, Frieze Masters offers a unique view of the relationship between old and new art. Visitors to Booth B5 at the fair this year will be able to enjoy a new solo presentation of works by Swiss artist Jean Tinguely, staged by Hauser & Wirth.
In a sprawling megalopolis like Mexico City it can be a pain to get from one place to the next, making it complicated to coordinate group gallery openings. However, with the explosion of contemporary art in the Mexican capital galleries are becoming more integrated, connecting through mutual interests.
The Carrousel du Louvre welcomes the international photography fair for the fifth time. Founded by Cécile Schall, this is an inimitable Parisian event which presents the opportunity to view works soaring in popularity amongst collectors.
The work of Japanese artist Shinro Ohtake appears in a solo exhibition at Parasol Unit, London, this autumn. The presentation showcases Ohtake’s extensive and innovative body of work.
The work of fashion photographer Horst P. Horst, whose evocative images are some of the most well known of the 20th century, is showcased in a new exhibition at the V&A. The show describes his collaborations with leading fashion icons.
Inspired by a dream to become a film director, Polish photographer Daniel Korzewa was drawn to the cinematic glamour of fashion imagery.
Barry Cawston uncovers the surprising beauty present in the seemingly mundane: his arresting photographs are often of still, silent settings, void of intrusive humanity and bursting with intriguing shapes, shades and angles.
Well known for his neutral, objective and almost indifferent images, Stephen Shore (b. 1947) broke the mould when he made his photographic debut in the 1960s.
