Xiaowei Chen works in the USA and China. We discuss her solo exhibition Endless Pointsat AroundSpace Gallery in Shanghai until 30 December.

Demonstrating a rich sense of heritage whilst looking to the future of design, this selection blends bold aesthetics with functionality.

Ward Roberts draws upon the effects of loneliness and isolation in today’s world. His Flotsam series builds upon repetition, acclimatisation and reverie.

Split Second, a new exhibition of works by Anthony McCall, occupies the boundaries between drawing, cinema and sculpture.

David Hartt’s In The Forest investigates the legacy of modernist architecture and its utopian ideals through the lens of Habitat Puerto Rico.

Judy Chicago’s highly immersive, visually mesmerising works continue to make a resonant statement about the experiences of women.

The Castle, a new body of work by Richard Mosse, reveals the ongoing refugee and migration crisis in the Middle East, North Africa and Europe.

Ghosts Don’t Walk in Straight Lines – a project by Saskia de Brauw and Vincent van de Wijngaard – takes a reflective trip across Manhattan. 

From Las Vegas to the Caspian Sea, these exhibitions move past categorisation to respond to urban, natural and constructed spaces.

Chronicling New York’s street life during the mid-20th century, Helen Levitt’s body of work offers an honest and dynamic portrait of life. 

Royal College of Art’s annual fundraising show returns, offering viewers the opportunity to own artwork by a variety of renowned practitioners.

A documentary exhibition at Pérez Art Museum Miami marks the 35th anniversary of Christo and Jeanne-Claude’s site-specific Surrounded Islands.

Thoughtful, bold and humorous, Robert Blomfield: Edinburgh Street Photography offers an insight into a rapidly changing city and culture.

An exhibition at MCA Chicago looks to artist and filmmaker Arthur Jafa’s multilayered video work Love Is The Message, The Message Is Death.

Fine art photographer Julia Fullerton-Batten returns with Old Father Thames, a series inspired by the river and its historical significance.

In a new exhibition, Dutch photographer Ellen Kooi’s cinematic panoramas revisit the timely relationship between humans and the landscape.

The winners of Beazley Designs of the Year 2018 are announced. The annual prize celebrates innovative projects that deliver tangible change.

Developing a new visual language, Bill Brandt used a wide-angle lens to craft unique compositions from bold new perspectives. 

Woolwich Contemporary Print Fair is a celebration of contemporary printmaking, offering over 500 artworks from across the globe.

Michael Schwan’s mission to explore lost places in Europe is rooted in the idea of the urban explorer, looking behind closed doors.