Resemblances, Sympathies, and Other Acts – Jeremy Millar @ CCA, Glasgow
Review by Alistair Quietsch Seeped in conceptual layering and research, Jeremy Millar’s current show at the CCA is at times, a seemingly disparate show of…
Review by Alistair Quietsch Seeped in conceptual layering and research, Jeremy Millar’s current show at the CCA is at times, a seemingly disparate show of…
The UK Film industry has taken a few major blows recently. In the face of this, British films are being picked up by overseas film festivals: next stop, Tribeca.
Across the Atlantic there’s a strong tradition of road trip films, the bulk of the action based in or around the car and the endless dusty highway ahead.
The last Achilifunk album marked the start of something big on the rumba scene and focused attention on the culture and history of the genre.
Born out of Marsh’s struggles with substance abuse, heartbreak and the deaths of several friends, it’s reflective, but ultimately affirming material.
Creep On Creepin’ On is a deeply provocative and alternative slant to blues, which would be appropriate in a hidden downtown bar.
The diversity of this album is astounding, some tracks will have you swooning, while others pass on by, however the ones that stand out pull the whole album together.
If this second album from Vessels overwhelms, it’s more for the test of aural endurance it poses than for being truly groundbreaking.
Mind Bokeh is Bibio’s most accomplished album to date, blending a soulful and vivid assortment of tracks and creating a dappled, uplifting arrangement.
Esben and the Witch’s uncompromising sound is being heard not only in back rooms and dimly lit bars, but it is also making its way into our musical landscape.
Synthesisers are complex and difficult instruments, but in musical circles, they’re considered some of the most beautiful. Here’s what it takes to build a behemoth.
Battersea Arts Centre brings people closer to theatre with the One-on-One Festival, exploring the relationships between audience and performer.
American artist, Romare Bearden’s (b.1911) practice is complex and wide reaching. This exhibition at Michael Rosenfeld Gallery is the first to focus exclusively on collage…
Review by Colin Herd To accommodate Recent History, the Tate St Ives has reversed the sequence of galleries, so the show begins in Gallery 5…
Review by Ruaidhri Ryan “I’m not a film purist, for me it is about my own enjoyment; I really don’t feel part of a debate…
Review by Charles Danby The Jerwood Encounters series was launched in 2008 to investigate the margins of the primary fields of the Jerwood visual arts…
A disused terraced house in Bensham, Tyneside, which is scheduled for demolition, is to briefly enjoy a radical new life – as a contemporary art…
Review by Colin Herd In a tiny photograph of a domestic interior, the doors of an ornate wooden cabinet gape open. In the lower half…
Review by Emma Cummins In November 2010, the graduating students of the MA Curating Contemporary Art course at the Royal College of Art, invited the…
