Arab Spring: Hesam Rahmaniam, Paradise Row, London.
Review by Jessica Jones-Berney It is with acerbic wit that Iranian-born artist Hesam Rahmanian deplores the rapidly unravelling fabric of his native land, consumed by…
Review by Jessica Jones-Berney It is with acerbic wit that Iranian-born artist Hesam Rahmanian deplores the rapidly unravelling fabric of his native land, consumed by…
Review by Adam Harangozó For the opening event of the Croatian Culture Months, the Hungarian National Gallery has arranged a rich exhibition from the works…
Review by Laura Barone,, a candidate for the MA in Art History at Richmond the American International University in London. It’s only April, but what…
Review by Regina Papachlimitzou Speaking in relation to the second major controversy he triggered in a course of a creatively chaotic life (namely, his deal…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. A visit to Whitechapel Gallery…
Review by Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Calvert 22 is a not…
Review by Ruby Beelsey The latest in a string of blockbuster shows at Tate Modern, Joan Miró needs no introduction. As one of the defining…
Review by Colin Herd The names of difficult-to-get-hold-of and in some cases discontinued-altogether photographic film have something of the poetry of a catalogue of obscure…
Review by Kenn Taylor A Sense of Perspective deals with the in between and the undefined, in a groundbreaking exhibition developed and curated by young…
Interview by Bethany Rex Nottingham Contemporary is one of the largest and most ambitious contemporary art spaces in the UK. Designed by Caruso St John…
Review by Sarah Richter a candidate for the MA in Art History at Richmond the American International University in London. Haven’t we all wondered if…
Review by Nathan Breeze If you’re a regular visitor to the V&A you would have noticed a gradual and ambitious series of renovations and expansions…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. The space at Tenderpixel…
Review by Nathan Breeze Touring six major European culture halls, Liebestod was a cross-genre performance by the Amsterdam Sinfonietta exploring the interaction between Classical Music…
Review by Paul Hardman This exhibition, the first dedicated to Pino Pascali in the UK, focuses on works from 1967 and 1968, the last few…
Review by Regina Papachlimitzou Yellow Wallpaper, inspired by Charlotte Perkins Gilman’s story of the same name, examines and unravels themes of spatial confinement, escape and…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. Lisson Gallery’s newest exhibition highlights…
Review by Carla MacKinnon Wellcome Collection, a free visitor destination for the incurably curious has established an excellent name for itself as one of London’s…
Interview by Bethany Rex Clare Price’s new work represents a departure from the strictures of her previous work. Whilst adhering to the familiar formalist rules…
