Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. The Victoria and Albert’s…

Review by Alistair Quietsch With the recent announcement of the Arts Council England (ACE) cuts and funding decisions, the disbandment of the UK Film Council…

Review by Adam Harangozó Stepping into the exhibition, it’s immediately evident why it is called Critical Spaces. It is in a small room, and all…

Von Rydingsvard’s art is deeply personal, confronting the artist’s hardship. This essay is sensitive, yet critically engages with the works and presents an overview of the artist’s four decade career.

Presenting an intimate portrait of the lives of French farmers from the Forez region, on the eastern side of the Massif Central, In the Face of Silence is a powerful and emotive account.

With the die-cut stencils and stencil typeface this book provides, it’s tempting to go straight outside and start marking your territory, however there is a wider message at play here.

Gail Jones, twice nominated for the Orange Prize and once for the Man Booker Prize, explores the lives and pasts of strangers in her latest offering.

Is the novel dead? Is art theft? Can you copyright reality? These are just some of the questions asked (and answered) in David Shields’ manifesto, Reality Hunger.

Adrian Mole for the new generation, Oliver Tate is a wonderfully bright narrator and Dunthorne captures the bittersweet melancholy of the teenage years with great wit and honesty.

To stand up in the world of fashion photography takes hard work, skill and endless amounts of creativity. Pedro Janeiro is a rising-star in this genre.

Exploring the moment, highly acclaimed director and photographer, Wim Wenders, brings his distinctive style and sensitive imagery to London.

15 international artists exhibit in a ground-breaking exhibition that deciphers new meaning within the difference between making and thinking.

With materials taking precedence, two new site-specific works explore the nature of narrative creation and memory.

James Turrell’s latest site-specific work, opening this spring in Sweden, creates interplay between the body and light.

Self-funded, and making use of borrowed locations, this drama examines the profound personal impact of the US Army’s “Don’t Ask Don’t Tell” policy.

My Kidnapper is the culmination of an interaction in which Mark Henderson and three of his fellow captives return to Columbia to meet their abductor.

Rubber is surreal and bizarre, but just when connections are made, Dupieux cleverly reminds you that there is no reason, and after all you are watching a film about a killer tyre.

The Arbor tells the powerful true story of Bradford playwright Andrea Dunbar and her daughter Lorraine.

Archipelago comments on the dynamic and often complex relationships between family members and wonderfully exposes moments of inner-awkwardness.

City Island is a touching and funny tale set in a quaint fishing village unexpectedly located in the midst of the Bronx.