Boundaries Transformed
Drawing from its own collection, The Walker Art Center asks how art was finally taken off its pedestal and made to reassess what it is during the long 1960s.
Drawing from its own collection, The Walker Art Center asks how art was finally taken off its pedestal and made to reassess what it is during the long 1960s.
With a youthful, bright and beautiful aesthetic, creative duo Julia Galdo and Cody Cloud make colourful and experimental images that exude style and an imaginative approach to life.
A solo exhibition of new and recent work by Barbara Kruger opens at Modern Art Oxford this summer, investigating power in popular culture.
Avoiding overbearing subject-matter, Robert Adams’ photographs are often taken from a distance and are minimalist in character, searching for the fragile beauty which is found in the ordinary.
The Roof places audiences in a unique rooftop setting on the Southbank, London, within the suspended reality of a brutal and unforgiving game.
Stan Douglas builds his staged images around recognisable themes from literature and cinema, borrowing from such genres as the Wild West or murder mystery, or the work of Beckett and Kafka.
Michel Gondry adapts French polymath Boris Vian’s fatalistic story of impossible romance; the result makes a refreshingly surreal contrast to conventional cinema.
A exhibition explores Iranian modern and contemporary art, shining a spotlight on visual culture in Iran and examining the impact of history on artistic production.
Matt Henry’s shots are both intellectually and visually stimulating, always giving his bold, clear-cut works context and weight.
Anna Vogel transforms found photography with painting techniques, such as varnish, acrylic, ink and pigment, to manipulate the natural landscape.
Hany Abu-Assad’s Oscar-nominated Omar is a love story set against the backdrop of the Israeli-Palestinian conflict, combining the complexities of relationships with the terrors of violence.
With the music industry dominated by English-speaking artists, the question remains: Can musicians have success in the global marketplace while performing in their native language?
The creative hub of East London, the Old Truman Brewery arts and media quarter on Brick Lane, plays host once again to Europe’s largest graduate art, design and fashion show, Free Range.
In Unlock Art: What’s So Funny? Tamsin Greig investigates how humour became central to many of the art movements of the past 100 years. The film examines how artists employed humour in their work to ridicule the status quo.
UK theatre company Forced Entertainment presents the UK premiere of their new performance, The Notebook, as part of After a War in the festival LIFT at Battersea Arts Centre in London.
SohoCreate opens next week, 4-6 June, for its inaugural creative festival. With an outstanding line-up of guests, including Rob Ryan, Michael Craig-Martin and Yinka Shonibare, the event runs panel sessions with some industry experts.
This exhibition showcases five artists who put the medium of drawing at the centre of their practice. They explore issues of documentation, representation, scale and the process of drawing.
Degree Show season is upon us once more and art students across the UK are in the process of preparing their final projects for examination. The concluding shows offer audiences an insight into new talents at work in the art industry.
This summer Cornerhouse in Manchester will host the first major European show by American conceptual artist Clifford Owens, across all three of its galleries. Owens’ work explores the intersection of photography, video, text and performance.
