Moldova is the focus of a new exhibition at Fotografiska, Stockholm, which presents the work of award-winning photo-journalist Åsa Sjöström.

Natalie Christensen’s 25-year career as a psychotherapist informs her practice as an artist; each image reflects deeper conceptual thoughts.

Büro Ole Scheeren’s Guardian Art Centre, Beijing, is an hybrid institution that combines culture with public functions.

Celebrating the quotidian, the works in an exhibition at EMMA possess an uncanny, otherworldly quality.

Terminus, a recent series by Mark Steinmetz, examines the pubic and private moments that occur within and around aerodromes.

In 1960, a devastating earthquake destroyed much of the Moroccan city of Agadir. Yto Barrada addresses the process of reinvention .

A retrospective of works by Michael Wolf comes to Fotomuseum Den Haag. The exhibition provides an overview of a unique oeuvre,

On the cusp of the RA’s 250th anniversary, From Life takes an inquisitive look at the tradition and its ongoing relationship with artists today.

Murray Fredericks views the sublime landscape as a medium, using mirrors to build surreal, mesmerising compositions

Part of a generation racked by hyperactivity, Tina Barney captures the details of north eastern, suburban America.

Robert Irwin’s new immersive installation plays with notions of place by responding to the architectural forms of Sprüth Magers, Berlin‘s modernist gallery space. The exhibition…

Exhibitions running 20-21 January offer viewers the opportunity to reflect on the modern world, building platforms for introspection.

The work of 19th century visionaries is the starting point for a new show at Foam, Amsterdam, which links photography’s inception with the modern day.

Cristina de Middel blends traditional documentary photography with fresh conceptual ideas.

Living in a village by the sea near Lisbon, Tesera Freitas started out as a designer with a camera. Her works offers a place where fantasy meet aesthetics.

In 1921, influential poet T.S Eliot spent time in Margate. A new show draws connections between The Waste Land and visual arts.

Candida Höfer investigates Mexico’s architectural and urban spaces, capturing the façades, floors and interiors of public structures.

Jeffrey Milstein’s aerial photographs provide new perspectives on the urban landscape through geometry, colour and form.

Ann Shelton’s body of work occupies the space between documentary and conceptual photography, investigating collective histories.

This Synthetic Moment brings together a diverse selection of artists using photography as a means to assert a strong sense of identity.