Kevin Cooley presents his stunning photographs from his Night for Night series in Aesthetica Issue 51. His largescale video installation, Skyward, is currently on show at Pierogi’s The Boiler.

It can be said that art can serve as a universal language. Lesley Dill applies literal meaning to art as a communicative agent by incorporating various forms of language into her multi-faceted work.

Concerned with observing the world, Kevin Cooley captures a profound and intense mood through his treatment of light, colour and object.

We spend some time with shortlisted artist, Damien O’Mara. The photographer will be exhibiting The Trespasser, which depicts suited men in places that are “off-limits” to people in corporate roles.

Juergen Teller’s Woo! is a showcase of the greatest work from Teller’s longstanding, unwavering career. One of the most recognisable about his work is his ability to portray subjects entirely stripped back.

Joy Division’s bass guitarist Peter Hook is in artist conversation at the MCA on Tuesday 5 February. Reflecting on the band he helped co-found and his new book Unknown Pleasures: Inside Joy Division.

Although its origins date back to 1996, Galería Rafael Pérez Hernando officially opened its doors in Madrid in 2004. It has since concentrated on promoting unknown or little-known artists.

Richard Wentworth presents an exhibition at the Lisson Gallery, London, from 30 January until 9 March. The British sculptor continually questions the way in which we approach the material world.

Young Gods is a multi-disciplinary presentation of London’s most exciting graduates from the summer of 2012. The exhibition takes place simultaneously across locations in west and east London.

Bloomberg Space hosts an experiential exhibition, distanced from the streets just beyond its walls. Glacier by Charles Atlas, uses a 360-degree projection to create an immersive environment.

The Ultimate Form is a live action response to Barbara Hepworth’s work. It is a collaboration between choreographer Kenneth Tindall, designer Pam Hogg, and composer Stuart McCallum.

Today, Frieze announced that its Projects programme of specially commissioned works will be realised at Frieze New York from 10 until 13 May and will present over 180 of the world’s leading galleries.

It might be considered to be a curatorial risk to combine the works of William Klein and Daidō Moriyama in two mellifluous exhibitions, as they are both important and vivacious artists of our time.

Tate Britain opens a new show on Kurt Schwitters. Opening on 30 January, the show focuses on his later works in Britain which began in 1940 when he arrived as a refugee until his death eight years later.

Aesthetica Art Prize artist Mary Humphrey’s Roma : Transylvania narrates the experiences that she encountered whilst photographing Roma families living on the outskirts of a Transylvanian village.

The London Art Fair ran for five days from 16 January until 20 January. Among this year’s participating galleries were The Fine Art Society, Charlie Smith London, and Union Gallery.

Pollen from Hazelnut is a constructed pollen field by Wolfgang Laib. Running at MoMA from 23 January, this work is Laib’s largest pollen-based installation to date, taking up a huge 18 by 21 feet.

We catch up with long-listed emerging Korean-American artist, Timothy Lee. Raised in New York City, his artistic practices have been heavily influenced by the imagery of cytology.

Artist Piero Gilardi comes to Nottingham Contemporary to present Collaborative Effects. Running from 26 January, Gilardi has engaged with ecological and socio-political issues for years.

Three Points of Contact is the first of a new “roving residency” concept that focuses on the collaboration between artists, curators and visitors, and allows the latter to witness the creative process.