Roland Barthes and Victor Burgin, John Hansard Gallery
John Hansard Gallery’s final exhibition before moving from Southampton University’s Highfield Campus. brings together two distinctly separate yet intimately entwined critical thinkers.
John Hansard Gallery’s final exhibition before moving from Southampton University’s Highfield Campus. brings together two distinctly separate yet intimately entwined critical thinkers.
Marlborough Fine Art in London celebrates the lesser known print works of four internationally renowned sculptors: Louise Bourgeois, Anish Kapoor, Richard Serra and Kiki Smith.
The newly opened Leila Heller Gallery in Dubai is just the sprawling kind of space that does Iranian-American artist Y. Z. Kami’s (b. 1956) exhibition White Domes justice.
Ellen Carey came of age artistically in the 80s, which was a decade in photography that saw radical innovation and a move away from merely representational and reportorial image-making.
Playtime is Ad Minoliti’s first UK exhibition and is paired with a solo exhibition of two large paintings by Dale Lewis. Both exhibitions address what it is to have a gendered or non-gendered body in the digital age.
A major retrospective of the work of Paul Strand (1890-1976), and the first in the UK since the artist’s death opens at V&A, London.
Castlefield Gallery is showcasing Inside Out, a look at Outsider Artists and their followers. The term ‘outsider art’ was originally used to describe works created outside mainstream artistic boundaries.
Runo Lagomarsino is the son of Argentinian migrants, although by currently being based in Sweden and Brazil, he has become a sensitive litmus test of recent Mediterranean turmoil.
Curated by Vicente Todolí, Doubt at Pirelli HangarBicocca collates key pieces from Carsten Höller’s vast and impressive oeuvre. The show intends to evoke feelings of joy, illusion and doubt.
Now in its ninth year, the Aesthetica Creative Writing Award is open for entries and is looking for new writing talent. The award celebrates excellence in poetry and short fiction from across the world.
The Other Art Fair Victoria House returns for its 11th edition. Presenting shows and performance pieces from a variety of celebrated artists, the fair invites visitors to explore a diverse range of art.
Kalliopi Lemos’ work has been dedicated to raising questions about the processes and politics that cause forced migration and the impact that ‘neo-capitalism and the irresponsibility of political powers’ have on its victims, particularly women.
Gareth Cadwallader’s work has always sought to portray an idealised representation of the world. Sailor Girl II has been longlisted in theAesthetica Art Prize and will feature in the exhibition.
Though filling only two small rooms on South London Gallery’s first floor, Paul Maheke’s I Lost Track of the Swarm has scope far exceeding its confines. A ‘self-taught feminist’ with a particular interest in the pro-black and pro-sex movements, Maheke shies away from aligning his work with academia, preferring to think of it as poetical over theoretical. It is, nonetheless, both intellectually sophisticated and affectively powerful: the kind of output that can be felt and thought about with equal effect.
Belgian artist David Claerbout (b.1969) explores the conceptual impact of the passage of time through his use of video and digital photography. His oeuvre manipulates both moving and still imagery.
Tate hosts the first major exhibition to celebrate the spirited conversation between early photography and British art. It brings together photographs and paintings including Pre-Raphaelite, Aesthetic and British impressionist works.
This year sees the inaugural edition of the Aesthetica Art Prize Future Now Symposium – a new two-day event running on Thursday 26 May and Friday 27 May at York St John University as part of the annual Aesthetica Art Prize. The Future Now Symposium focuses on talent development, and tackle’s themes in today’s current artistic climate through lectures, workshops and panel discussions from within the arts ecosystem and broader social context.
John Baldessari’s recent works, created in the past year, examine the relationship between language and image, primarily through dislocation and the juxtaposing text and pictures at Sprueth Magers.
Once again, in Italy, the private gallery Massimo De Carlo Gallery has supported an institutional exhibition focused on highlighting a relevant international artist: Tony Lewis (b.1986).
