Dr Alistair Payne, Head of the School of Fine Art, The Glasgow School of Art offers a new perspective on the potential of painting in the modern age, highlighting its current interdisciplinary status at the Future Now Symposium later this month.
Group exhibition Through the Headset sees artists Iain Nicholls, Tom Szirtes, SkullMapping and Matteo Zamagni working in the medium of Virtual Reality.
Tate Britain reveals the four artists who have been shortlisted for the Turner Prize 2016. The artists are: Michael Dean, Anthea Hamilton, Helen Marten and Josephine Pryde. The winner will be announced at a ceremony in December.
Ninety-nine years after the Surrealists are playing what would have become “Exquisite corpse by airmail”, Warrior Studios comes to OVADA.
Cornelia Parker has invited 60 artists from a range of disciplines to respond to the theme of ‘found’, reflecting on the Museum’s long-standing history and heritage. Opening on 27 May, this show unites new work with historic objects.
The subject of drugs in art is a longstanding tradition. Jac Leirner’s solo exhibition at White Cube Mason’s Yard takes a simpler approach to dependence.
From the 19-22 May, Photo London will be celebrating the ever popular medium of photography across the capital by bringing some of the world’s leading practitioners, curators, exhibitors and dealers together with the public.
Peter Vahlefeld is a Berlin-based multi-media artist. His work combines analog and digital painting on canvas and explores the currency of advertisements.
Agnieszka Prendota, Creative Director at Arusha Gallery is a speaker at Future Now: The Aesthetica Art Prize Symposium 2016, running 26-27 May at York St John University. Prendota’s talk The Symbiotic Relationship Between Public and Private Galleries, takes the form of a panel discussion and will explore the relationship between public and private galleries.
The fifth talk in the series takes place at the Aesthetica Art Prize Exhibition, York St Mary’s, on Thursday 12 May at 12.30pm. This talk, Bridging the Real and Virtual Spheres, is led by Sarah Brown, Curator of Exhibitions at Leeds Art Gallery.
We speak to American artist Michael Boroniec about his ceramic practice as well as the processes and the mutual effects of art on the individual.
The Sainsbury Centre for the Arts features new prints of Henri Cartier-Bresson’s photographs of Paris in the 1950s and 1960s.
Filipa César’s The Solid Image – Notes on the ‘Luta ca caba inda’, belongs to the intriguing Red Africa season that exhibited at Calvert 22, London.
As an artist who looks into the craftsmanship of the past, Ai Weiwei’s first Greek exhibition sees him work with the archaeological collections of the Museum of Cycladic Art in Athens.
Monash Gallery of Art’s (MGA) latest exhibition Australian exotica showcases the works of some of Australia’s most celebrated artists.
Remco de Blaaij, Senior Curator at the Centre for Contemporary Arts (CCA), Glasgow is one of the speakers for Curating for the Future: A Collaborative Approach. We catch up with him.
First established in 1992 as Nippon International Contemporary Art Fair, Art Fair Tokyo is now the biggest fair of its kind in Japan and has branched out to showcase a variety of artistic styles and disciplines from a range of eras.
Held at Olympia London from 20-22 May, Art16 will present a total of 1000 pieces from locations such as Senegal, South Korea, Cuba and the Czech Republic. This year’s instalment is set to bring together buyers, gallerists and enthusiasts.
The Nicola Trussardi Foundation has decided to explore new territories and modes of presenting contemporary art; Sarah Lucas’s project at Albergo Diurno is deeply consistent with this intent.
Ellie Davies is one of the shortlisted artists in this year’s Aesthetica Art Prize Exhibition, showing at York St Mary’s until 29 May. The artist’s photographic work Stars considers the fragility of our relationship with the natural world.