Kort
Cortney Tidwell is well known in the world of country; her family have played a significant role in Nashville’ industry.
Cortney Tidwell is well known in the world of country; her family have played a significant role in Nashville’ industry.
The new record from Mice Parade is their first in the band’s second decade – and if you haven’t already heard of them, you should start with this album.
The Hundred in the Hands’ first full-length album, retains the excitement and fervour expected of a debut, while creating a practiced, coherent sound.
Vinyl records occupy a very curious space in the musical landscape – but is it a dying format kept on life support by die-hard fans, or is it a sign of something bigger?
Lorenzo Fusi is the curator for International, the lead exhibition at the 2010 edition of the Liverpool Biennial.
Elliot Grove, Founder of Raindance Film Festival, offers Ten Ways to help you Make Compelling Content.
Clio Barnard’s exploration of playwright, Andrea Dunbar’s life, combines reality with artifice in an exciting new creation.
Newcomer, Rebecca Handler, explores visual culture within the context of contemporary image-making.
In autumn 2010 at the Purdy Hicks Gallery, Neeta Madahar explored the natural and the contrived by subverting the airbrushed and the false.
Eschewing their mass-market traditions, new designers are increasingly looking towards the machine to invade the realm of haute couture and reassess uniqueness.
Small Scale, Big Change explores 11 new architectural projects redressing the social responsibilities of architecture and debunking grand manifestos.
In Your Presence is Required at Suvanto Maile Chapman presents an unnerving treatise on the effects of age on the body and isolation on the mind.
Wagner’s second novel to be translated into English is Silence: a genuinely gripping crime thriller with a psychological twist.
Death of an Unsigned Band is the new novel from Tim Thornton, offering a fly-on-the-wall insight into the trials and tribulations that face an unsigned band.
Super Sad True Love Story is full of brilliantly inventive language and Shteyngart’s trademark humour, which belies a poignant message for society.
In an intimate introduction, Creed lets the readers know his insecurities: “I don’t think I want to make a book of my work. I am scared to look at what I have done.”
The Beat writers and artists defined a post-War era that was rife with youth rebellion, Cold War politics and the disillusion of the American Dream.
Having exhibited in the Serpentine Gallery’s Indian Highway, Shilpa Gupta has drawn interest from both public institutions and collectors alike.
