An innovative new exhibition at MOCA Los Angeles charts radical experimentation in southern Californian architecture since 1980.

Creating a distinct visual language of her own, Jasmina Cibic represents the Slovenian Pavilion at Venice this year with For our Economy and Culture.

Meet the musicians who hunt for sound outside the studio, creating radical new interpretations of what they discover.

James & Karla Murray photographed street after street of retail history in New York City, finding that the evolving shop windows transformed neighbourhoods.

A Field in England, the fourth feature film from british director Ben Wheatley, is a visceral experience; a psychedelic period drama that utterly immerses its audience.

Les Rencontres d’Arles’ 2013 presentation showcases an outstanding range of black and white photographs, with the main purpose of uncovering the talents of new artists working the field.

Sonny Smith is a man who can turn his writing talents to nearly every area, producing stories, songs and plays.

The Edinburgh International Film Festival searches for the world’s best emerging filmmakers, while also providing a rich platform for discussion.

Alfredo Jaar represents Chile at this year’s Venice Biennale. We speak with curator Madeleine Grynsztejn about Latin American art and Jaar’s Venezia, Venezia.

Robert Wilson’s new production The Old Woman at Manchester International Festival presents the artist against a backdrop of political turmoil.

An international exhibition of photography, European Chronicles in Cardiff uses lens-based media to initiate debate about European social identities.

Transforming confiscated firearms into musical instruments and shovels, Mexican artist Pedro Reyes believes in the ability of art to change societies permanently.

With a sound blessed with beautiful melodies set amidst lush soundscapes, they have crafted their unique style with a loving attention to detail.

Vito Russo believed that he should be able to live his life as he chose, with a passion that eventually became politicised as his life, and those of his friends, became a struggle against injustice.

An insider’s guide for the modern art buyer, Collecting Art for Love, Money and More reveals the motivations and secrets of successful collectors.

Marczak brings free love to the fore in his new documentary F*ck For Forest, which follows a Berlin-based charity that believes that sex can change the world.

The hero is Cho Young-Chan, a deaf-blind South Korean man on the cusp of a sensory rebirth as he begins to escape from the isolation of his condition.

Examining both visual and literary Surrealism, this text explores in intricate detail how the movement embraced different avant-garde ideas and practices.

Love Crime is laden with too many easy clichés – not to say much too drawn out – to warrant fully the descriptions it has earned as “taut thriller” or “modern Noir”.

College instantly demonstrates his ability to reproduce aspects of existence electronically, as his striking first notes echo a heartbeat gasping to live.