With a background in photography, Laureana Toledo’s (b. 1970, Mexico) practice incorporates various media, chosen in relation to a specific concept or theme of the work.

Switzerland’s leading contemporary art organisation, the Kunsthalle Zürich will open to the public this weekend in its new home within the Löwenbräukunst for a special preview week.

Standing in the entrance of Grayson Perry’s exhibition at the Victoria Miro gallery I find myself caught between two images. On the left, a child is cradled in the arms of a young mother.

Laura Stevens looks at the dark and melancholy aspects of relationships. Us Alone explores the moment when the romance of cohabitation is betrayed by the banal aspects of day-to-day living.

We Face Forward is a season of art and music from West Africa, celebrated across Manchester’s galleries, museums, music venues and public spaces, as part of London 2012 Festival.

The focus of the 4th edition of the Summer of Photography, an international biennale that focuses on photography and related media, is on landscape. Central to the festival is Sense of Place.

Jenny Holzer is an artist known for her words. Whether it’s T-shirts, plaques or LED signs, she emblazons her medium of choice with witty quotes – or truisms – to create instantly satisfying pieces.

It is hard to overestimate the importance of attitudes to nature and ideas around the representation of landscape in Nordic culture and thinking.

The top floor of Raven Row is divided into two adjacent, small, white spaces. Each room contains two sets of shelves, back-to-back. On the shelves are arranged an assortment of uniform black box-files.

HowTheLightGetsIn, the philosophy and music festival, offers an intellectually rigorous programme of innovative and inspirational debate, alongside live performances from world-class musicians.

Mel Karch’s images are more than just editorial; they tell stories with underlying narratives rooted in the cinematic landscapes of her shoots.

Gagosian, in collaboration with the Henry Moore Foundation are bringing the artist’s sculptures indoors for the first time. It was Moore’s intention that these forms be viewed close-up.

Edgar Martins’ controversial 2008 project This Is Not A House continues to engross and provoke today, uncovering the realities of where the recession began.

Skyscraper is a re-appraisal of the modernist structure and features over 50 artists whose work responds to ITS variety and complexity.

Moving from Henri Cartier-Bresson to the pioneering photojournalist Eve Arnold to lesser known but historically significant figures, Another London examines the city’s landscape as a dynamic metropolis.

The emphasis of the 4th edition of the Summer of Photography, an international biennale that focuses on photography and related media, is on landscape.

A Matter of Life and Death and Singing is the latest exhibition to open at M HKA in Antwerp. With over 100 artworks, it is the first comprehensive retrospective of Jimmie Durham’s work to date.

CAM Houston hosts It is what it is. Or is it?, a show that considers how artists are using and making readymades. As the art form nears its 100th anniversary, the show surveys how it has changed.

Thanks to a programming policy that favours unpublished works, Rencontres d’Arles has been a leader in disseminating some of the world’s best photography.

On the edge of the South East coast, a small seaside town is welcoming back its most famous daughter, Tracey Emin. Banners from her last visit still adorn Margate: “Welcome Home Tracey!”