Noémie Goudal takes viewers on a labyrinthine journey devoid of time and place to question natural surrounding phenomena.

Final week to submit to the Aesthetica Art Prize, offering a key platform for new and established artists to enter work onto the world stage.

The Richard Learoyd exhibition at Fundación MAPFRE is a timely refuge from the constant flow of digital imagery in the outside world.

As a set designer, Serene Khan’s focus is on narrative, telling stories through composition and the tangibility of objects.

Fact and fiction. Changing cities. Ecological crisis. This week’s must-see shows offer visions of a world in flux – and of the past, present and future.

Luce Lapadula is interested in the mastering of natural light. Through sweeping grey skylines, the models become muses of nature.

Seminal portraits, stylised images and thought-provoking documentary photography. Top exhibitions navigate memory, history and identity.

Photographs by Markéta Luskačová, taken on the North East coast of England in the late 1970s, will go on display at the Martin Parr Foundation.

Half a century has passed since man first set foot on the moon. Museum of Fine Arts Houston celebrates with an exhibition of 40 photographs.

Must-see exhibitions for the start of August look back to reflect upon the present. Portraiture and intriguing cityscapes document a world in flux.

Top titles for August 2019 span eco-conscious design, light installation and street photography – interpreting the modern world through creativity.

Issue 90, entitled ‘Living for Today’, is a response to our times, covering innovative upcycled plastic whilst questioning alternative truths in the media.

Photographed across four years, ‘The Canary & The Hammer’ by Lisa Barnard, shows how our dependence on gold was born.

Next Generation is an annual collaboration with London College of Communication, featuring seven new talents entering the photographic sphere.

Examining the use of photography to question the nature of accepted truths and subjective realities, the images sit between fact and fiction.

Picking up on small strips of colour within manufactured locations, Kyle Jeffers builds up textures through costume, props and layouts.

Kyle Thompson produces photographs that depict feelings of solitude and loneliness in today’s hyper-digitised climate.

Rebecca Reeve’s series Marjory’s World comments upon our increasingly urban existence – a sense of disconnect from the natural world.

The German Democratic Republic was a country ruled by surveillance and constant monitoring; photographs provide a window into the era.

Alessio Albi’s close-up portraits draw attention to finer bodily details – capturing them with mesmerising intensity and heightened colours.