E.O. Hoppé’s provides meditations on shifting ideals, revelling in the structural complexity and cultural acceleration that was unravelling in Germany.

This week’s 5 To See for 28-31 July, provides insight into the spectrum of transitions occurring across the globe.

Aesthetica presents a list of emerging artists who utilise photography as a medium through which to highlight the transient intimacy of human nature.

Maik Lipp takes a clean, graphic approach to modern metropolis. Mixed Minimal isolates the beauty of lone architectural elements.

The French Lesson showcases one of Paul et Martin’s most notable collaborations, a creatively led video achieved through a summery, geometric aesthetic.

In this era of accelerating post-truth and digital manipulation, where fact converges with fiction, we must ask ourselves – what is going on?

In an era of post-truth, Unseen Amsterdam explores distorted perceptions, reliability and control through an exciting showcase of contemporary photography.

Barbican, London and The Trampery have launched alt.barbican, an initiative featuring practitioners who challenge the boundaries of art and technology.

Andres Serrano’s practice is aligned with baroque painters, translating portraiture dripping with conceptual depth and social consideration into the 21st century.

Brooklyn Museum examines the cultural and aesthetic priorities of black women during the emergence of second-wave feminism in America.

The third annual LensCulture Street Photography Awards invites artists to delve back into the world of the quotidian through the lens of the metropolis.

If art represents the transitions within culture, what are we learning about systematically labelling bodies?

Aesthetica Art Prize shortlisted artist Alinka Echeverría has been selected for the 2017 Foam Talent Call, an internationally renowned platform.

Jennifer Alexander, Curator of Art at York Art Gallery, sheds light on exhibition practices and curating for the 21st century audience.

“Love happens here” is a phrase found across London this month. The Photographers’ Gallery who show their solidarity with an offsite exhibition.

22-23 July. Offering a global perspective on digital and societal changes, these exhibitions document the pivotal transitions of an era.

The 1980s were a turbulent time in Britain; this decade is the focus of The Place is Here, an exhibition set between the South London Gallery and MIMA.

Kurt Tong’s (b. 1977) current exhibition The Queen, The Chairman and I, reflects upon the self as an amalgamation of disparate parts.

American photographer Emma Elizabeth Tillman (b. 1986) evokes everyday nuances in her debut series Disco Ball Soul (2017).

White Cube’s latest exhibition reveals how there is a vast and raging female presence amongst those associated with the surrealist movement.